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拍品專文
The present work represents a pivotal moment in Winslow Homer's printmaking career, and demonstrates his ability to translate the dramatic tension of his paintings into the etching medium. Based on his oil painting of the same name from 1884, it showcases the artist’s mastery of composition and keen interest in maritime themes. The work depicts a perilous rescue at sea, with a man carrying a woman to safety across a rope line amidst turbulent waves. This etching, along with others such as 'Saved' (1889) and 'Eight Bells' (1887), forms part of Homer's oeuvre of nautical-themed prints that explore themes of human struggle against nature. The fine lines and subtle tonal variations achieved through the etching process allowed Homer to capture the atmospheric effects and emotional intensity present in his paintings. In particular, it demonstrates Homer's skill in creating a sense of movement and urgency within the constraints of the medium.
The impression offered here is a hitherto unrecorded proof, and exhibits numerous differences between it and the version published by Klackner in 1887, differences which invite further study. The most noticeable upon first examination is that here the image extends to the edges of the plate, whereas in the published state Homer has reduced the size of the image by roughly 1⁄8 in. on all four sides. It is now bordered by a thin etched line. The area beyond this prints blank in the edition, presumably because it was wiped clean, although it may have been physically removed from the plate through burnishing. The image itself is quite different, with the effect of the changes being to heighten the overall contrast, adding new layers of shading in some areas, burnishing it in others, further isolating the figures against the stormy backdrop, thereby heightening the tension of an already dramatic rescue.
The impression offered here is a hitherto unrecorded proof, and exhibits numerous differences between it and the version published by Klackner in 1887, differences which invite further study. The most noticeable upon first examination is that here the image extends to the edges of the plate, whereas in the published state Homer has reduced the size of the image by roughly 1⁄8 in. on all four sides. It is now bordered by a thin etched line. The area beyond this prints blank in the edition, presumably because it was wiped clean, although it may have been physically removed from the plate through burnishing. The image itself is quite different, with the effect of the changes being to heighten the overall contrast, adding new layers of shading in some areas, burnishing it in others, further isolating the figures against the stormy backdrop, thereby heightening the tension of an already dramatic rescue.