STUDIO OF JACOPO TINTORETTO (VENICE 1519-1594)
STUDIO OF JACOPO TINTORETTO (VENICE 1519-1594)
STUDIO OF JACOPO TINTORETTO (VENICE 1519-1594)
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STUDIO OF JACOPO TINTORETTO (VENICE 1519-1594)

Portrait of Andrea Barbarigo, half-length, in a suit of armor with a naval battle beyond

細節
STUDIO OF JACOPO TINTORETTO (VENICE 1519-1594)
Portrait of Andrea Barbarigo, half-length, in a suit of armor with a naval battle beyond
inscribed and dated 'ANDREAS / BARBADICVS / TRIREMIS GVR / MDLXXI' (lower left, below the window)
oil on canvas
37 5/8 x 34 ¼ in (95.5 x 87 cm)
來源
Emile E. Wolf (1899-1996), New York, by 1955.
Rose Art Museum, Brandeis University, Waltham, MA, and by which deaccessioned; Sotheby's, New York, 7 June 1978, lot 186, as Jacopo Robusti, called Il Tintoretto and Studio.
出版
B.B. Fredricksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Private Collections, Cambridge, MA, 1972, p . 201.
P. Rossi, Jacopo Tintoretto: i ritratti, I, Venice, 1973, pp. 60, note I, pp. 75 and 120-121, no. 227, fig. 227.
'Auctions', The New York Times, 2 June 1978, section C, p. 17.

榮譽呈獻

Jonquil O’Reilly
Jonquil O’Reilly Vice President, Specialist, Head of Sale

拍品專文

The naval engagement seen through the window must be the Battle of Lepanto since the window-frame bears the battle's date (1571). Andrea Barbarigo commanded the Fortuna and lost his life in the fray, alongside his brother Giorgio who also commanded a ship (Tre Mani). Although the Barbarigo family suffered greatly, the battle was a major victory for the Venetians against the Ottoman fleet, and is known today as the last great Western naval battle fought between rowing ships.

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