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木韻情長：王家琪的四十載中國古典家具收藏
「一見鍾情是行不通的。收藏要果斷，但更不能衝動。」走進Mimi Wong的古典家具世界，瞭解她的長期主義收藏旅程和理念
拍品專文
In seinem handschriftlichen Werkverzeichnis dokumentierte Cuno Amiet seine Arbeiten mittels Tusche und Farbstift und hielt Angaben zu Ausstellungen und Provenienzen fest. Anhand der Notizen in seinem Verzeichnis mit dem Titel ‘Verkaufte Werke‘ ist zu entnehmen, dass dieses Werk Blühender Baum von Amiet an die Nichte seiner Ehefrau Anna Amiet-Luder geschenkt wurde. Das Werk befand sich somit als Schenkung bis 1984 in der Sammlung von Greti Rothenhäusler-Morgenthaler und ihrem Ehemann Oskar bis es durch Erbschaft an den heutigen Besitzer überging.
Cuno Amiet documented his work using ink and coloured pencil in his handwritten catalogue raisonné, in which he also recorded information on exhibitions and provenances. Based on his notes in this directory under the heading ‘Sold Works’, it can be seen that this painting Tree in Bloom was given by Amiet to the niece of his wife, Anna Amiet-Luder. The work remained as a donation in the collection of Greti Rothenhäusler-Morgenthaler and her husband Oskar until 1984, after which it was passed on as an inherited object to its current owner.
Cuno Amiet documented his work using ink and coloured pencil in his handwritten catalogue raisonné, in which he also recorded information on exhibitions and provenances. Based on his notes in this directory under the heading ‘Sold Works’, it can be seen that this painting Tree in Bloom was given by Amiet to the niece of his wife, Anna Amiet-Luder. The work remained as a donation in the collection of Greti Rothenhäusler-Morgenthaler and her husband Oskar until 1984, after which it was passed on as an inherited object to its current owner.