Albert Marquet (1875-1947)
Albert Marquet (1875-1947)

Samois, la barque rouge

細節
Albert Marquet (1875-1947)
Samois, la barque rouge
stamped with signature 'marquet' (lower left)
oil on canvas
23 ½ x 28 ¾ in. (60 x 73 cm.)
Painted in 1917
來源
Estate of the artist.
Private collection, France (by descent from the above).
Acquired from the above by the present owner, 1987.
出版
M. Marquet, Marquet, Voyages, Lausanne, 1968, p. 14 (illustrated in color, pl. 9).
F. Daulte, "Les voyages de Marquet," L'Oeil, nos. 390-391, January-February 1988, pp. 43-44, no. 2 (illustrated in color).
展覽
Nancy, Musée des Beaux-Arts and Musée de Metz, Albert Marquet, June-September 1959, pp. 25 and 60, no. 32 (illustrated, p. 61).
Belgrade, Narodni Muzej, Albert Marquet, June 1960, no. 10.
Kunstverein in Hamburg, Albert Marquet, Gemälde, Pastelle, Aquarelle, Zeichnungen, November 1964-January 1965, no. 60 (illustrated, pl. 65).
Musée de Saint-Denis, Les peintres et la nature en France depuis l'impressionnisme, November 1965, no. 27.
New York, Wildenstein & Co., Inc., Albert Marquet, October-December 1971, no. 21 (illustrated; dated 1913).
London, Wildenstein & Co., Ltd., Albert Marquet, January-February 1972, no. 14 (illustrated; dated 1913).
Paris, Galerie Bernheim-Jeune et Cie., Marquet, April-July 1972, no. 16.
Tokyo, Seibu Museum of Art; Kyoto, The National Museum of Modern Art and Fukuoka Art Museum, Marquet, 1973-1974, no. 22.
New York, Wildenstein & Co., Inc. and London, Wildenstein & Co., Ltd., Albert Marquet, April-July 1985, p. 95 (illustrated, p. 42).
Lausanne, Fondation de l'Hermitage, Albert Marquet, February-May 1988, p. 188, no. 46 (illustrated; illustrated again in color).
Tokyo, Isetan Museum of Fine Arts; Nagoya, Matsuzakaya Museum; Nara, Sogo Museum of Art; Ibaraki Museum of Modern Art, Albert Marquet, September 1991-February 1992, p. 131, no. 30 (illustrated in color, p. 55).
Musée de Lodève, Marquet, June-November 1998, pp. 126 and 279, no. 33 (illustrated in color, p. 127).

榮譽呈獻

Vanessa Fusco
Vanessa Fusco

拍品專文

This work will be included in the forthcoming volume of the catalogue critique of Albert Marquet’s paintings being prepared by the Wildenstein Institute.

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