Besuch im Krankenhaus

細節

Käthe Kollwitz (1867-1945)
Besuch im Krankenhaus
woodcut, 1929, on wove paper, signed in pencil, with margins, pinpoint foxing across the sheet, otherwise in good condition; together with, Die Eltern (Kn. 142) lithograph, 1919, on wove paper, signed in pencil, the full sheet; with Kinderkopf (Kn. 218) lithograph, 1925, on wove paper, signed in pencil, with margins; with Ende, from: Ein Weberaufstand (Kn. 38) etching and aquatint, 1893-7, on heavy wove paper, signed in pencil, with margins; with Hunger (Kn. 182) woodcut, 1922, on wove paper, signed in pencil, with margins, each in generally good condition, one framed
Block: 275 x 357 mm., Sheet: 312 x 410 mm
(5)

出版

Knesebeck 247 VI (of VI)

注意事項

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

更多詳情

“I felt that I have no right to withdraw from the responsibility of being an advocate. It is my duty to voice the sufferings of people, the sufferings that never end and are as big as mountains.”
Käthe Kollwitz

The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.