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Nachdenkende Frau
細節
Käthe Kollwitz (1867-1945)
Nachdenkende Frau
lithograph, 1920, on tissue-thin laid Japan paper, signed in pencil, from the unnumbered (as issued) edition of 50, with margins, in good condition
Lithograph: 290 x 264 mm., Sheet: 420 x 360 mm.
Nachdenkende Frau
lithograph, 1920, on tissue-thin laid Japan paper, signed in pencil, from the unnumbered (as issued) edition of 50, with margins, in good condition
Lithograph: 290 x 264 mm., Sheet: 420 x 360 mm.
出版
Knesebeck 161 b (of e)
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
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更多詳情
“I felt that I have no right to withdraw from the responsibility of being an advocate. It is my duty to voice the sufferings of people, the sufferings that never end and are as big as mountains.”
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.