拍品 532
532
FELIX GONZALEZ-TORRES (1957-1996)
FELIX GONZALEZ-TORRES (1957-1996)

"Untitled" (Sand)

成交價 美元 278,500
估價
美元 100,000 – 美元 150,000
估價不包括買家酬金。成交總額為下鎚價加以買家酬金及扣除可適用之費用。
試用
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FELIX GONZALEZ-TORRES (1957-1996)

成交價 美元 278,500
拍品終止拍賣: 2012年11月15日
成交價 美元 278,500
拍品終止拍賣: 2012年11月15日
細明拍品專文更多來自
細節
FELIX GONZALEZ-TORRES (1957-1996)
"Untitled" (Sand)
signed, numbered and dated 'Felix Gonzalez-Torres 1994 10/12' (on the reverse of each element)
eight elements--portfolio of photogravures on Somerset Satin paper in silk covered archival box
each: 12½ x 15½ in. (31.7 x 39.3 cm.)
Executed in 1993-1994. This work is number ten from an edition of twelve plus six artist's proofs. (8)
來源
Margo Leavin Gallery, Los Angeles
出版
C. Merewether, "Felix Gonzalez-Torres: El pasado por venir," Atlantica International, Winter 1994-1995, pp. 40-41 and 148 (illustrated).
C. Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres," BROADsheet, Spring 1996, p. 17.
L. Ericsson, "om det Verkliga - fran Datum till Constructum," Index, March/April 1996, p. 73 (detail illustrated).
D. Elger, Felix Gonzalez-Torres Catalogue Raisonné, Ostfildern-Ruit, 1997, p. 132, no. 264 (illustrated).
Contemporary Narratives in American Prints, exh. cat., New York, 1999 (illustrated).
J. Ault, ed., Felix Gonzalez-Torres, Gottingen, 2006, pp. 221-223. B. Luca, Teatro del Sogno Da Chagall A Fellini, Milan, 2010, pp. 192-193 (illustrated).
展覽
Museum of the City of St. Petersburg, Julie Sylvester Editions/St. Petersburg: Editions by Mike Kelley, Felix Gonzalez-Torres, Richard Prince, Sue Williams, David Salle, July 1994 (another example exhibited).
Los Angeles, Margo Leavin Gallery, In the Field: Landscape in Recent Photography, October-November 1994 (another example exhibited).
New York, The Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, March-May 1995, pp. 113-115 and 117 (illustrated, another example exhibited).
Munich, Akademie der Bildenden Künste, Felix Gonzalez-Torres, Roni Horn, May-October 1995 (another example exhibited).
Musée d'Art Moderne de la Ville de Paris, Passions privées. Collections particulieères d'art moderne et contemporain en France, December 1995-March 1996, pp. 654, 660 and 663 (illustrated, another example exhibited).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, A/Drift, October 1996-January 1997, pp. 12, 104-105 (illustrated, another example exhibited).
Caracas, Museo Alejandro Otero, Sin Fronteras, November 1996-March 1997, pp. 37, 51, 74, 83-84 (illustrated, another example exhibited).
New York, Kent, Is There Still Life, September-October 1997.
Museum Moderner Kunst Stiftung Ludwig Wien, Felix Gonzalez-Torres, September-November 1998 (another example exhibited).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, Felix Gonzalez-Torres: Snapshots, September-December 1999 (another example exhibited).
Stamford, The Whitney Museum of American Art at Champion, Contemporary Narratives in American Prints, November 1999-February 2000 (another example exhibited).
Frankfurt am Main, Museum für Moderne Kunst, Change of Scene XVIII: Paare (Couples): Gilbert & George and Felix Gonzalez-Torres, September 2000-March 2001, pp. 33-59 (illustrated, another example exhibited).
Paris, Galerie Jennifer Flay, Always Paris, November-December 2000 (another example exhibited).
Baltimore Art Museum, Body Space, February-May 2001 (another example exhibited).
Mexico City, Ecatapec, La Colección Jumex, Theory of Leisure, January-August 2002, pp. 52, 128-129 (illustrated, another example exhibited).
Munich, Museum Villa Stuck, Hautnah: Die Sammlung Goetz, May-August 2002, pp. 39-41 (illustrated, another example exhibited).
Mexico City, Antiguo Colegio de San Ildefonso and Bogotá, Biblioteca Luis Ángel Arango, Edén, March-June 2003 (another example exhibited).
Paris, Galerie Emmanuel Perrotin, Empreinte Moi: Une Exposition de Philippe Ségalot, October-December 2005, n.p. (illustrated, another example exhibited).
New York, The Whitney Museum of American Art, Skin is a Language, January-May 2006 (another example exhibited).
New York, El Museo del Barrio, Felix Gonzalez-Torres: Early Impressions, February-May 2006 (illustrated on the cover and inside cover, another example exhibited).
New York, The Metropolitan Museum of Art, Depth of Field: Modern Photography at the Metropolitan, September 2007-March 2008 (another example exhibited).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, Hessel Museum of Art, Second Thoughts, March-May 2008 (another example exhibited).
Southhampton, Parrish Art Museum, SAND: Memory, Meaning and Metaphor, June-September 2008, pp. 4-5, 48 and 134 (illustrated, another example exhibited).
New York, The Solomon R. Guggenheim Museum, Haunted: Contemporary Photography/Video/Performance, June-September 2010 (another example exhibited).
Miami, De La Cruz Collection Contemporary Art Space, December 2010-November 2011 (another example exhibited).
Mexico City, Ecatepec, La Colección Jumex, Destello [Glimmer], April-September 2011 (another example exhibited).
Boston, Museum of Fine Arts and Dublin, Irish Museum of Modern Art, Conversations: Photography from the Bank of America Collection, February 2011-May 2012, pp. 103 and 105 (illustrated, another example exhibited).

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Sara Friedlander
Sara Friedlander
+1 212 468 7177

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