A GOLD AND IVORY-MOUNTED VIOLIN BOW, PARIS, CIRCA 1849

成交價美元 134,500

估價

美元 70,000 – 美元 120,000

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J.B. VUILLAUME SHOWING THE HAND OF PIERRE SIMON

A GOLD AND IVORY-MOUNTED VIOLIN BOW, PARIS, CIRCA 1849

成交價美元 134,500

拍品終止拍賣: 2012年4月26日

成交價美元 134,500

拍品終止拍賣: 2012年4月26日

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J.B. VUILLAUME SHOWING THE HAND OF PIERRE SIMON
A GOLD AND IVORY-MOUNTED VIOLIN BOW, PARIS, CIRCA 1849
The round stick stamped VUILLAUME A PARIS, the ivory frog with bas-relief carving in a floral motif on the sides and engraved family coat of arms and the initials N P, along with a caricature of Niccolò Paganini embellishing the top, the engraved ivory adjuster with single gold collar, weight 56.5 grams with original tinsel wrap (4)

Jean Baptiste Vuillaume
Jean-Delphin Alard
Roger and Max Millant
Henryk Kaston Various Owners

A distinguished and celebrated French violin maker and dealer, Jean Baptiste Vuillaume was impassioned with the French bow making techniques advanced by François Xavier Tourte. While he was never a bow maker, the bows his Paris workshop produced throughout the 19th century are considered to be as famous as his violins. He employed and mentored the best artisans of the craft, including Dominique Peccatte, Joseph Fonclause, François Nicolas Voirin, Jean Joseph Martin and Pierre Simon. Together they set the standard for the Parisian School that was to be unrivaled in bow making artistry. Simon joined the Vuillaume workshop in 1840 and is known to have created most of JB Vuillaume's presentation and specialty bows between 1840-57. The works of Simon have been established as some of the most highly desired by musicians and collectors for their supreme quality and artistic representations.

This bow is thought to have been a wedding gift from JB Vuillaume to his son-in-law, Jean-Delphin Alard. An accomplished violinist and composer, Alard studied at the Paris Conservatoire, gained fame as a chamber music player, soloist and held a court position. As a professor at the Conservatoire he brilliantly imparted the great Italian-French tradition of Viotti to a generation of violinists.

The presentation bows of the JB Vuillaume Workshop often contained the likeness of noted musicians, including the incomparable Niccolò Paganini, as seen here. Produced in tribute to Paganini it is believed only three to four of these works exist. An accomplished violinist, violist, guitarist, and composer, Paganini was one of the most celebrated violin virtuosi of his time, providing substantial influence on modern violin technique. It has been said that he could bring tears to the eyes of his audience with his execute the most tender opuses, while he could perform with such power and rapidity that while in Vienna a listener claimed to have seen the Devil helping the violinist.

Roger Millant, J.B. Vuillaume, His Life and Work, London, 1972, p. 55. (A similiar example illustrated)

Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

A GOLD AND IVORY-MOUNTED VIOLIN BOW, PARIS, CIRCA 1849

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A GOLD AND IVORY-MOUNTED VIOLIN BOW, PARIS, CIRCA 1849

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