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拍品專文
In Re-Ornamented II, Rana uses tiny pixelated images from aspects of Pakistani popular culture to create a larger image that serves as commentary on contemporary culture and the intersection of tradition and modernity. "I have been borrowing from broad visual culture since the mid-1990s, when I made a conscious decision to borrow everything - starting from the images to the title of the work. There is nothing original to begin with, but strangely, by using this tactic my work became uniquely mine and thus original. I do not think it is so much to do with a greater reality and un-reality, but more to do with reinventing through reality - and to show a kind of paradox that we fail to notice even though it is what makes us who or what we are." (R. Punj, 'Rashid Rana', Asian Arts Newspaper, London, on-line edition, May 2010)
From afar, Re-Ornamented II, appears to be a Mughal building, in fact, it is an architectural detail from the famous Wazir Khan Mosque in Lahore. However, on closer examination we find that the image is actually composed of popular consumer brand logos, images from advertisements and storefront signage, that you could find anywhere in South Asia.
From afar, Re-Ornamented II, appears to be a Mughal building, in fact, it is an architectural detail from the famous Wazir Khan Mosque in Lahore. However, on closer examination we find that the image is actually composed of popular consumer brand logos, images from advertisements and storefront signage, that you could find anywhere in South Asia.