Robert Gober (b. 1954)

Prison Window

成交價 美元 3,386,500
估價
美元 800,000 – 美元 1,200,000
估價不包括買家酬金。成交總額為下鎚價加以買家酬金及扣除可適用之費用。
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Robert Gober (b. 1954)

Prison Window

成交價 美元 3,386,500
 
成交價 美元 3,386,500
 
細節
Robert Gober (b. 1954)
Prison Window
box construction--plywood, forged iron, plaster, latex paint, incandescent and fluorescent lights and electrical hardware
window: 23¾ x 23¾ in. (60.3 x 60.3 cm.)
overall: 48 x 53 x 36 in. (121.9 x 134.6 x 91.4 cm.)
Executed in 1992. This work is number five from an edition of five plus one artist's proof.

Other examples from this edition are in the permanent Collections of the Museum of Modern Art, New York, the San Francisco Museum of Modern Art and the Center for Curatorial Studies at Bard College, Annandale-on-Hudson, New York. (2)
來源
Paula Cooper Gallery, New York
Acquired from the above by the present owner, 1993
出版
Robert Gober, exh. cat., London/Liverpool, 1993, pp. 17, 38-39 and 46.
Robert Gober, exh. cat., Umag, 1995, pp. 18-19, 22-23 and 24-25 (another example illustrated and on the back cover).
Rites of Passage: Art for the End of the Century, exh. cat., London, 1995, p. 99 (another example illustrated).
Robert Gober, exh. cat., Basel, 1995, p. 20, fig. 7 (another example illustrated).
T. Westreich, ed., This is About Who We Are: The Collected Writings of John Caldwell, San Francisco, 1996, p. 202 (another example illustrated).
L. Cooke and K. Kelly, Robert Lehman Lectures on Contemporary Art: No. 1, New York, 1996, p. 110 (another example illustrated).
Apocalyptic Wallpaper, Columbus, 1997, p. 17 (another example illustrated in color).
Robert Gober, exh. cat., Los Angeles, 1997, p. 46 (another example illustrated in color).
Identity Crisis: Self-Portraiture at the End of the Century, exh. cat., Milwaukee, 1997, pp. 36-37.
M. Archer, Art Since 1960, London, 1997 (another example illustrated in color, cover).
Wounds: Between Democracy and Redemption in Contemporary Art, exh. cat., Stockholm, 1998, p. 128.
B. Reimschneider and U. Grosenick, eds., Art at the Turn of the Millenium, Cologne, 1999, p. 180 (another example illustrated in color).
M. Getlein, Gilbert's Living with Art: Sixth Edition, New York, 2002, pp. 546-574 (another example illustrated in color).
M. Piranio, ed., SFMOMA Painting and Sculpture Highlights, San Francisco, 2002 (another example illustrated in color).
P. Osborne, Conceptual Art, New York, 2002, p. 181 (another example illustrated in color).
Magritte and Contemporary Art: The Treachery of Images, exh. cat., Los Angeles, 2006, pp. 163 and 165-167 (another example illustrated in color).
San Francisco Museum of Modern Art: 75 Years of Looking Forward, exh. cat., San Francisco, 2009, pl. 260 (another example illustrated in color).
展覽
New York, Dia Center for the Arts, Robert Gober, September 1992- June 1993, pp. 18, 20-21, 23 and 30-31(illustrated in color, cover).
New York, Paula Cooper Gallery, Robert Gober, Donald Judd, Cady Noland, Rudolf Stingel, December 1992-January 1993 (another example exhibited).
Los Angeles, Museum of Contemporary Art Recent Acquisitions in the Permanent Collection, October 1993-January 1994 (another example exhibited and illustrated).
San Francisco Museum of Modern Art, Into a New Museum: Recent Gifts and Other Acquisitions of Contemporary Art, Part II, May-October 1995 (another example exhibited).
Santa Monica Museum of Art and SITE Santa Fe, A Glimpse of the Norton Collection as Revealed by Kim Dingle, December 1995-November 1996, n.p.
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Distemper: Dissonant Themes in the Art of the 1990s, June-September 1996, pp. 45-46, 127 and 131, no. 8, fig. 18 (another example exhibited and illustrated in color).
Seattle, University of Washington, Henry Art Gallery, Inside: Louise Bourgeois, Robert Gober, Mona Hatoum, Gary Hill, Ilya Kabakov, Annette Messager, Lucas Samaras, April-June 1997 (illustrated).
New York, Museum of Modern Art, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, September 1997-January 1998, pp. 49 and 52 (another example exhibited and illustrated in color).
The Chicago Curatorial Center, Reality Bites: Approaches to Representation in American Sculpture, April-June 1998.
Philadelphia, University of Pennsylvania, Institute of Contemporary Art, Three Stanzas: Miroslaw Balka, Robert Gober and Seamus Heaney, January-March 1999, pp. 18-19 (another example exhibited and illustrated in color).
Minneapolis, Walker Art Center; Malmö, Rooseum Center for Contemporary Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden and San Francisco Museum of Modern Art, Robert Gober: Sculpture + Drawing, February 1999-September 2000, pp. 23 and 103 (another example exhibited and illustrated in color).
Modern Art Museum of Fort Worth and Museo de Arte Contempoáneo de Monterrey, House of Sculpture/Casa de la Escultura, May 1999-February 2000, pp. 2, 8 and 12 (another example exhibited and illustrated).
Houston, Contemporary Arts Museum, The Inward Eye: Transcendence in Contemporary Art, December 2001-February 2002, pp. 19, 27, 40-41 (another example exhibited and illustrated in color).
New York, James Cohan Gallery, Air, January-February 2003 (another example exhibited).
Oslo, Astrup Fearnley Museet, Robert Gober-Forskyvninger/Displacements, February-April 2003, pp. 52 and 99 (another example exhibited and illustrated in color).
Queens, Museum of Modern Art, Artist's Choice: Mona Hatoum, Here is Elsewhere, November 2003-February 2004 (another example exhibited).
San Francisco Museum of Modern Art, Between Art and Life: The Contemporary Painting and Sculpture Collection, July 2004-February 2005 (another example exhibited).
Houston, The Menil Collection, Robert Gober: The Meat Wagon, October 2005-January 2006, pp. 73 and 99 (another example exhibited and illustrated in color).
Dublin, Royal Hibernian Academy, Gallagher Gallery, Robert Gober: Drawings and Sculpture, November 2005-January 2006 (another example exhibited).
New York, Museum of Modern Art, Out of Time: A Contemporary View, August 2006-April 2007 (another example exhibited).
Schaulager/Basel, Robert Gober. Work 1976-2007, May-October 2007, pp. 30, 308-311, 320-321 and 518, no. S 1992.06 (other examples exhibited and illustrated in color).
New York, Andrea Rosen Gallery, Robert Gober and Felix Gonzalez-Torres; A Shadow Leaving an Object, December 2008-January 2009.
New York, Museum of Modern Art, Artist's Choice + Vik Muniz = Rebus, December 2008-February 2009 (another example exhibited and illustrated).
San Francisco Museum of Modern Art, Focus on Artists: Selections from the Collection, October 2009-May 2010 (another example exhibited).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, On permanent exhibition, June 2010-present (another example exhibited).

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