拍品 60
60
OSKAR SCHLEMMER (1888-1943)
OSKAR SCHLEMMER (1888-1943)

Projet de décor pour "Die glückliche Hand" d'Arnold Schoenberg

成交價 歐元 51,400
估價
歐元 20,000 – 歐元 30,000
估價不包括買家酬金。成交總額為下鎚價加以買家酬金及扣除可適用之費用。
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OSKAR SCHLEMMER (1888-1943)

Projet de décor pour

成交價 歐元 51,400
 
成交價 歐元 51,400
 
細明拍品專文
細節
OSKAR SCHLEMMER (1888-1943)
Projet de décor pour "Die glückliche Hand" d'Arnold Schoenberg
craie sur papier noir
34.7 x 50.1 cm. (13¾ x 19¾ in.)
Exécuté en 1930
來源
Hans Curjel, Berlin (acquis auprès de l'artiste, 1930).
Collection particulière, Washington, Seattle (par descendance, 1975).
Vente, Sotheby's, Amsterdam, 8 décembre 1994, lot 286.
Galerie Tarica, Paris (acquis au cours de cette vente).
Acquis auprès de celle-ci par Yves Saint Laurent et Pierre Bergé, août 1995.
出版
H. Curjel, Experiment Krolloper 1927-1931, Aus dem Nachlass herausgegeben von Eigel Kruttge, Munich, 1975, p. 357, no. XI (illustré).
O. Schlemmer, Théâtre et Abstraction (L'Espace du Bauhaus), Lausanne, 1978, no. 35 (illustré).
K. Von Maur, Oskar Schlemmer, Oeuvrekatalog der Gemälde, Aquarelle, Pastelle, Munich, 1979, p. 302, no. A. 395 (illustré).
D. Scheper, Oskar Schlemmer - das Triadische Ballet und die Bauhausbühne, Berlin, 1988, p. 224, no. 250 (illustré).
注意事項
No VAT will be charged on the hammer price, but VAT payable at 19.6% (5.5% for books) will be added to the buyer’s premium which is invoiced on a VAT inclusive basis ''For lots subject to the artist''s resale right, and marked with the ''Artist''s Resale Right symbol'' will collect from the buyer, on behalf of and in the name of the seller, a sum equal to the resale right payable on the lot. Christie''s will pay this sum on to the collecting agency, or if applicable, directly to the artist.''
更多詳情
'SCENERY PROJECT FOR "DIE GLUCKLICHE HAND" BY ARNOLD SCHOENBERG'; CHALK ON BLACK PAPER.


In 1930, the Austrian composer and director Arnold Schönberg invited Oskar Schlemmer to create the set for the play Die Glückliche Hand (The Fortunate Hand). In addition to an almost black stage, Schönberg wished to express through this stage play the ultimate futility of life, and how man is doomed to repeat the same errors over and over again.

拍品專文