TRAVIS BEAN GUITARS, SUN VALLEY, CALIFORNIA, CIRCA 1976-1977
TRAVIS BEAN GUITARS, SUN VALLEY, CALIFORNIA, CIRCA 1976-1977
TRAVIS BEAN GUITARS, SUN VALLEY, CALIFORNIA, CIRCA 1976-1977
2 更多
TRAVIS BEAN GUITARS, SUN VALLEY, CALIFORNIA, CIRCA 1976-1977
5 更多
TRAVIS BEAN GUITARS, SUN VALLEY, CALIFORNIA, CIRCA 1976-1977

A SOLID-BODY ELECTRIC GUITAR, TB1000 ARTIST

细节
TRAVIS BEAN GUITARS, SUN VALLEY, CALIFORNIA, CIRCA 1976-1977
A SOLID-BODY ELECTRIC GUITAR, TB1000 ARTIST
The pickup covers stamped TRAVIS / BEAN the cast and machined aluminium stamped 647 at the nut, of a natural finish, together with a Fender hard-shell case stencilled STATUSQUO / LONDON / ENGLAND/ and T2 and strap
Length of back 14 ¾ in. (37.5 cm.)
TRAVIS BEAN
拍场告示
Mark Knopfler plans to donate no less than 25% of the total hammer price received, to be split equally between The British Red Cross Society (a charity registered in England and Wales with charity number 220949, Scotland with charity number SC037738, Isle of Man with charity number 0752, and Jersey with charity number 430), Brave Hearts of the North East (a charity registered in England and Wales with charity number 1006247) and the Tusk Trust Limited (a charity registered in England and Wales with charity number 1186533).

荣誉呈献

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

拍品专文


Previously owned by Status Quo’s Francis Rossi, Mark Knopfler acquired this guitar in January 2008 from the Phil Harris Agency. Reportedly, Rossi used the guitar to record the Status Quo single ‘Accident Prone’, from their 1978 album If You Can’t Stand The Heat. Rossi said of the guitar: 'Bought in England early 70s used on Accident Prone single. High output once warmed up plays well end up like the hunch back off [sic] Notre Dame after an hour playing, good idea never took very expensive.' Knopfler spent time playing the Travis Bean so he could get an idea of the sound and where it might fit in a particular song, however the guitar did not make it onto a record.

TRAVIS BEAN
While observing his friend and guitar repairman, Marc McElwee, struggle with the inconsistencies and instability of guitar necks made of wood, Clifford Travis Bean applied his skills as a machinist working with metal. What evolved would be an electric guitar with an aluminium neck. In 1974, along with McElwee and Gary Kramer, Bean launched Travis Bean Guitars in Sun Valley, California. Machined from a solid bar of Reynolds 6061-T6 aluminium, the neck extended through the body to the bridge mounting. A more traditional wood fingerboard would be glued to the neck. The body shaped from wood (often Koa wood) would have the aluminium neck 'pan' inlaid into it. The stability of this aluminium neck would be unrivalled, alleviating the intonation and breakage issues associated with touring stage guitars. An unexpected upside with this construction technique was the extraordinary tonal sustain these guitars produced. As with all new ideas that bucked tradition there is often a downside to change. With the Travis Bean guitars, it was the extra weight this mass of aluminium added to the instrument. Nonetheless, the Travis Bean became popular with musicians. Before ceasing production in 1979, Travis Bean Guitars had manufactured approximately 3600 guitars and basses. Of this number it is reported that 755 of the TB1000A (Artist) models were produced.

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