GUILD GUITARS INCORPORATED, HOBOKEN, NEW JERSEY, 1961
GUILD GUITARS INCORPORATED, HOBOKEN, NEW JERSEY, 1961
GUILD GUITARS INCORPORATED, HOBOKEN, NEW JERSEY, 1961
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GUILD GUITARS INCORPORATED, HOBOKEN, NEW JERSEY, 1961
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GUILD GUITARS INCORPORATED, HOBOKEN, NEW JERSEY, 1961

A HOLLOW-BODY ELECTRIC GUITAR, STARFIRE III "EMERALD"

细节
GUILD GUITARS INCORPORATED, HOBOKEN, NEW JERSEY, 1961
A HOLLOW-BODY ELECTRIC GUITAR, STARFIRE III "EMERALD"
The logo GUILD inlaid at the headstock and stamped 17272 on the reverse, labelled internally GUARANTEE / This GUILD instrument is hereby guaranteed…/ Model Emerald Star III, Serial No. 17272 / GUILD GUITARS INC. / Hoboken, New Jersey, of a green finish, together with an original hard-shell case and manufacturer's warranty hang tag
Length of back 20 3/16 in. (51.3 cm.)
GUILD
拍场告示
Mark Knopfler plans to donate no less than 25% of the total hammer price received, to be split equally between The British Red Cross Society (a charity registered in England and Wales with charity number 220949, Scotland with charity number SC037738, Isle of Man with charity number 0752, and Jersey with charity number 430), Brave Hearts of the North East (a charity registered in England and Wales with charity number 1006247) and the Tusk Trust Limited (a charity registered in England and Wales with charity number 1186533).

荣誉呈献

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

拍品专文


Mark Knopfler purchased this guitar from Rumble Seat Music in Ithaca, New York, in June 2006, as a pair for the previous lot. Knopfler posed with this Starfire III as part of the promotional shoot for his 2007 solo studio album Kill To Get Crimson. Photographed by Fabio Lovino, the shoot was also captured in Tom Bird’s short documentary film that accompanied the CD/DVD album set. Both this guitar and the Starfire II (the previous lot) were present during February 2014 recording sessions at British Grove Studios for Knopfler’s 2015 solo studio album Tracker, as seen in a photograph by keyboardist and album co-producer Guy Fletcher, which shows Mark surrounded by a cluster of similar archtop guitars. Although likely tested for a particular use during the recording process, it is not known whether either model made it on to the final record.

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