拍品 414
414
A PAIR OF FRENCH GREY-PAINTED STOOLS
A PAIR OF FRENCH GREY-PAINTED STOOLS
A PAIR OF FRENCH GREY-PAINTED STOOLS
3 更多
A PAIR OF FRENCH GREY-PAINTED STOOLS
6 更多
A PAIR OF FRENCH GREY-PAINTED STOOLS

19TH CENTURY, AFTER THE MODEL BY JEAN-BAPTISTE-CLAUDE SENE

细节
A PAIR OF FRENCH GREY-PAINTED STOOLS
19TH CENTURY, AFTER THE MODEL BY JEAN-BAPTISTE-CLAUDE SENE
In the Louis XVI style and after the model made for Marie Antoinette’s Salon des Jeux de la Reine at both Fontainbleau and Compiègne, each rectangular padded seat covered in red and white silk damask on curule-form stop-fluted supports centred by a rosette within a rope-twist border, on legs carved with an ivy-leaf motif joined by beaded stretchers centred by a ribbon-tied laurel wreath, above panels carved with paterae on lion-paw feet, each with a spurious stamp 'G. IACOB' and stamped with a double 'L' cypher beneath a crown, one with label from Rosenberg & Stiebel, New York
19 in. (48.5 cm.) high, 23 in. (58 cm.) wide, 17 ½ in. (45 cm.) deep
来源
Acquired from Rosenberg & Stiebel, New York.
The Collection of the Rothschild family.
By descent to the present owners.

拍品专文

The design for the present lot is closely related to the celebrated model made for Marie Antoinette’s Salon des Jeux de la Reine at both Fontainbleau and Compiègne. Jean Hauré received the commission in May 1786, requesting forty ployants, twelve tabouret, a folding screen and a fire screen. Twenty of the stools were sent to the Queen’s Salon de Jeux at Fontainbleau, and an additional order of twenty-four ployants, twelve additional tabourets, a chamber screen and a fire screen for Compiègne. These were the collaborative result of Jean-Baptiste-Claude Sené (1748-1803) who built the beechwood frames, the carved ornament was executed by Nicolas François Vallois (1744-1788) and the painting and gilding done by Louis François Chatard (1749-1819).

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