拍品专文
The design of the border has much in common with lustred pieces from Gubbio, but the absence of lustre suggests that it may not have been made there. For a plate with a central figure painted in similarly muted tones within bianco sopra bianco palmettes on the border in the Petit Palais, Paris, see Françoise Barbe et al., Majolique, La faïence italienne au temps des humanistes 1480-1530, Château d’Ecouen October 2011-February 2012 Exhibition Catalogue, Paris, 2011, p. 53, where it is attributed to ‘probably Urbino’; and Catherine Join-Dieterle, Musée du Petit Palais. Catalogue de Céramiques I, Paris 1984, pp. 154-155, no. 48, where it is attributed to Castel Durante.