LI HUAYI (B. 1948)
PROPERTY FROM AN IMPORTANT HONG KONG COLLECTION (LOT 1047)
LI HUAYI (B. 1948)

Listening to Clouds

细节
LI HUAYI (B. 1948)
Listening to Clouds
Scroll, mounted and framed, ink and colour on paper
66 x 131 cm. (26 x 51 5⁄8 in.)
Signed, with one seal of the artist
Dated 1998
来源
Kaikodo Gallery, New York.
Property of a Lady.
出版
Li Huayi at 60: Paintings in the Yiqingzhai Collection, The Ink Society, 2008, pp.48-49.
Li Huayi, Kwai Fung Publishing Hong Kong & Rizzoli International Publication Inc., March 2018, pp.52-53.
展览
Hong Kong Convention and Exhibition Centre, Hong Kong International Arts and Antiques Fair, Li Huayi at 60, 4-7 October 2008.
拍场告示
Please note there is additional provenance information for this lot:
Provenance: Kaikodo, New York; Property of a Lady.
請注意:
本拍品的來源資料為:紐約懷古堂,女士私人收藏。

荣誉呈献

Carmen Shek Cerne (石嘉雯)
Carmen Shek Cerne (石嘉雯) Vice President, Head of Department, Chinese Paintings

拍品专文

Contemporary ink master Li Huayi was born in Shanghai in 1948. He studied traditional ink paintings and calligraphy in his early years, and upon moving to San Francisco in the 1980s, he received training in Western art. His exposure to these two different art schools has served as a guiding post to creating his iconic, majestic landscape style during his time in San Francisco. With influences from the Northern Song landscape tradition and the grand, monumental California landscape, Li explores the myriad of ways to combine postmodernist ideas with traditional Chinese literary subject matters.

Listening to Clouds fully manifests Li’s expression of monumentality in his landscape. Rather than painting the landscape in panoramic view, the artist delineates the mountains, clouds, and pine trees in close-up details to create a harmonious beauty of sublimity and vastness. Li’s brushwork demonstrates a clear contrast between light and shadow. This innovation in ink paintings has come from western oil painting techniques from which Li sought inspiration.
As if leading the viewers on a journey of self-reflection, Li paints a personal and philosophical dialogue between man and nature – a dialogue connecting himself, the viewers and the many Chinese literati painters who came before him.

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