ROY LICHTENSTEIN (1923-1997)
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ROY LICHTENSTEIN (1923-1997)

Reflection on Conversation, from: Reflections Series

细节
ROY LICHTENSTEIN (1923-1997)
Reflection on Conversation, from: Reflections Series
lithograph, screenprint and woodcut in colours, with metalized PVC collage with embossing, 1990, on Somerset paper, signed and dated in pencil, inscribed 'PP I', a printer's proof aside from the edition of 68 (there were also 16 artist's proofs), published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, generally in very good condition, framed
Image 1200 x 1545 mm., Sheet 1370 x 1700 mm.
出版
Corlett 240
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to our storage facility at Momart. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Momart. All collections from Momart will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
更多详情
It started when I tried to photograph a print by Robert Rauschenberg that was under glass. But the light from a window reflected on the surface of the glass and prevented me from taking a good picture. But it gave me the idea … where the reflection would hide most of the work, but you could still make out what the subject was. … It portrays a painting under glass. It is framed and the glass is preventing you from seeing the painting.
(Roy Lichtenstein, ‘A Review of My Work Since 1961’, in: G. Bader, Roy Lichtenstein, October Files, New York, 2009, p. 69.)

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