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拍品专文
A PASSION FOR 18TH CENTURY ASIAN CERAMICS
Beckford acquired an extensive collection of ceramics, mostly composed of 18th-century Asian and European porcelain described by his agent Franchi as 'a great quantity of Japan and eggshells saucers - Dresden & Seve (sic) likewise' (Beckford Papers: MS list by Gregorio Franchi of objects removed from Fonthill, case 5). Beckford had many of these porcelain pieces fitted with silver and gilt mounts which he designed with Franchi, mostly between 1811 and 1823. The technique of applying gilt-mounts to modest ceramics had been developed and popularised by the Paris marchand-merciers as Asian porcelain was starting to become available in quantities on the European market. The largest surviving group of such pieces have simple neoclassical mounts, while ten or so porcelain cups and jugs, mounted between 1815 and 1820, the majority by James Aldridge, are clearly historicist in style.
IN THE MEDIEVAL TRADITION
This bowl is one of the earliest known examples of Beckford's silver-mounted Chinese ceramics. The bowl is an unusual example of black and green enamelled decoration perfected in the second quarter of the 18th century, also described as a 'curious small basin' in both the 1882 and 1885 catalogues. However the most unusual feature is undoubtedly the engraved heraldic decoration. It combines martlets, one of Beckford's favourite heraldic devices, used as a continuous decorative pattern whilst the family coat-of-arms are engraved in the centre framed by a scrolling cartouche in the style of Jacques Androuet du Cerceau. Beckford collected extensively 16th century designs to use as iconographic sources for his creations. This bowl illustrates well Beckford's obsession with his lineage whilst keeping with the Medieval tradition for decorative designs, as seen on the Leigh Cup belonging to the Mercers' Company and the Lady Margaret Beaufort Cup at Christ's College Cambridge.
JOHN ROBINS, SILVERSMITH TO WILLIAM BECKFORD
The mounts are by John Robins, a silversmith who worked regularly for Beckford from about 1789, starting with a 'plate' (sold Sotheby's, London, 24 June 1980, lot 280, Silver from Lennoxlove). The inventories of William Beckford's modern plate identifies at least eight other pieces made by John Robins and four at least are mounted ceramic pieces, comprising a pair of Japanese porcelain bowls and covers featuring plants on red ground and with silver-gilt mounts dated 1812, a pair of Chinese porcelain beakers dated 1700-1720 with water-leaf border mounts, a famille rose cream jug with silver-gilt mounts dated 1815 and a famille rose vase mounted as a jug with silver-gilt mounts (see A45, A46, A55 and A130 in Snodin and Baker, op. cit., 1980 p. 825-826).
Beckford acquired an extensive collection of ceramics, mostly composed of 18th-century Asian and European porcelain described by his agent Franchi as 'a great quantity of Japan and eggshells saucers - Dresden & Seve (sic) likewise' (Beckford Papers: MS list by Gregorio Franchi of objects removed from Fonthill, case 5). Beckford had many of these porcelain pieces fitted with silver and gilt mounts which he designed with Franchi, mostly between 1811 and 1823. The technique of applying gilt-mounts to modest ceramics had been developed and popularised by the Paris marchand-merciers as Asian porcelain was starting to become available in quantities on the European market. The largest surviving group of such pieces have simple neoclassical mounts, while ten or so porcelain cups and jugs, mounted between 1815 and 1820, the majority by James Aldridge, are clearly historicist in style.
IN THE MEDIEVAL TRADITION
This bowl is one of the earliest known examples of Beckford's silver-mounted Chinese ceramics. The bowl is an unusual example of black and green enamelled decoration perfected in the second quarter of the 18th century, also described as a 'curious small basin' in both the 1882 and 1885 catalogues. However the most unusual feature is undoubtedly the engraved heraldic decoration. It combines martlets, one of Beckford's favourite heraldic devices, used as a continuous decorative pattern whilst the family coat-of-arms are engraved in the centre framed by a scrolling cartouche in the style of Jacques Androuet du Cerceau. Beckford collected extensively 16th century designs to use as iconographic sources for his creations. This bowl illustrates well Beckford's obsession with his lineage whilst keeping with the Medieval tradition for decorative designs, as seen on the Leigh Cup belonging to the Mercers' Company and the Lady Margaret Beaufort Cup at Christ's College Cambridge.
JOHN ROBINS, SILVERSMITH TO WILLIAM BECKFORD
The mounts are by John Robins, a silversmith who worked regularly for Beckford from about 1789, starting with a 'plate' (sold Sotheby's, London, 24 June 1980, lot 280, Silver from Lennoxlove). The inventories of William Beckford's modern plate identifies at least eight other pieces made by John Robins and four at least are mounted ceramic pieces, comprising a pair of Japanese porcelain bowls and covers featuring plants on red ground and with silver-gilt mounts dated 1812, a pair of Chinese porcelain beakers dated 1700-1720 with water-leaf border mounts, a famille rose cream jug with silver-gilt mounts dated 1815 and a famille rose vase mounted as a jug with silver-gilt mounts (see A45, A46, A55 and A130 in Snodin and Baker, op. cit., 1980 p. 825-826).