Circle of Alvise Vivarini (Venice 1446-1502)
PROPERTY OF A LADY
Circle of Alvise Vivarini (Venice 1446-1502)

Portrait of a gentleman, bust-length

细节
Circle of Alvise Vivarini (Venice 1446-1502)
Portrait of a gentleman, bust-length
tempera on panel
17 ¾ x 13 3/8 in. (44.5 x 34 cm.)
来源
Marchese Durazzo, Genoa.
Michel van Gelder, Château Zeeerabbe, Ucclè, Belgium.
with Thos. Agnew & Sons, London, by 1936, as 'Alvise Vivarini'.
Thyssen-Bornemisza collection, Schloss Rohoncz, Lugano, no. 447.
Anonymous sale; Sotheby's, London, 27 November 1963, lot 105, as 'Alvise Vivarini', illustrated.
出版
B. Berenson, Italian Pictures of the Renaissance: Venetian School, London, 1957, I, p. 5, as 'Andrea da Murano'.
R.J. Heinemann, Sammlung Schloss Rohoncz, Lugano, 1958, no. 447.
F. Heinemann, Giovanni Bellini e Belliniani, Venice, 1963, I, p. 220, no. V27, as an 'unknown artist influenced by Alvise Vivarini'.

拍品专文

Dressed in the formal costume of a Venetian patrician, the sitter is presented bust-length, in three-quarter view, a type which had become popular amongst North Italian painters who had been inspired by Flemish models established by Jan van Eyck and Hans Memling. The man's zazzera hairstyle was fashionable in Venice from the 1480s until circa 1500, dating the painting to the last two decades of the fifteenth century. The influence of Alvise Vivarini is clear in the sharp, linear drawing of the features, careful definition of the eyes and lips and the sitter’s cool flesh tones. The crystalline clarity of his features are here enhanced by the black background.

更多来自 古典大师日间拍卖

查看全部
查看全部