Trapped in Suburban Hell

‘What captivates Perry, ultimately, about both ornamental and folk pottery is the essential individualism he finds expressed in such work – an individualism premised, most significantly, on its handcrafted qualities. His love for the handmade connects fundamentally to his belief that craftsmanship is not just about perfecting a particular technique, but is to do with the articulation of the deep emotional and organic relationship that a craftsman develops with his medium – often over a lifetime of creative experimentation’
(J. Klein, Grayson Perry, Victoria Miro Gallery, 2010, p. 229).