![KRUCHENYKH, Aleksei (1886-1968) and KHLEBNIKOV, Velimir (1885-1922), and GONCHAROVA, Natalia (1881-1962; illustrator). Mirskontsa. [Worldbackwards.] Moscow [G.L. Kuzmin and S.D. Dolinskyi, 1912].](https://www.christies.com.cn/img/LotImages/2018/CKS/2018_CKS_17162_0156_000(kruchenykh_aleksei_and_khlebnikov_velimir_and_goncharova_natalia_mirsk110454).jpg?w=1)
细节
KRUCHENYKH, Aleksei (1886-1968) and KHLEBNIKOV, Velimir (1885-1922), and GONCHAROVA, Natalia (1881-1962; illustrator). Mirskontsa. [Worldbackwards.] Moscow [G.L. Kuzmin and S.D. Dolinskyi, 1912].
The first edition of this important Russian avant-garde collaboration, with its original cover decoupage by Goncharova. Mirskontsa 'occupies a unique place in the history of the Russian avant-garde. [It] was the first lithographic collection of the Russian futurists and the outcome of an intricate collaboration, in which a group of poets and painters worked closely together to create a new form of book art' (Perloff). The illustrations include thirteen by Goncharova, nine by Larionov, four by Rogovin and one by Tatlin. One of 220 copies only, each with a unique cover by Goncharova. Mirskontsa was published in the same period as the other great iconoclastic experiments Igra v Adu (see lot 160) and Starinnaia liubov (see lot 161). MoMA, The Russian Avant-Garde Book, 14-18 and pp. 68-9; Perloff, 'Mirskontsa' in Getty Research Journal, vol. 5 (2013), p.101.
Quarto (187 x 145mm). 39 leaves, one of these with a manuscript addition ['dramu pishem']; text lithographed or rubber-stamped throughout; with 28 lithographed illustrations (light browning; light wear in a few margins). Original tan wrappers, original decoupage by Goncharova and lithographed title label on the upper side (text block detached; spine chipped; extremities and label chipped; some soiling).
The first edition of this important Russian avant-garde collaboration, with its original cover decoupage by Goncharova. Mirskontsa 'occupies a unique place in the history of the Russian avant-garde. [It] was the first lithographic collection of the Russian futurists and the outcome of an intricate collaboration, in which a group of poets and painters worked closely together to create a new form of book art' (Perloff). The illustrations include thirteen by Goncharova, nine by Larionov, four by Rogovin and one by Tatlin. One of 220 copies only, each with a unique cover by Goncharova. Mirskontsa was published in the same period as the other great iconoclastic experiments Igra v Adu (see lot 160) and Starinnaia liubov (see lot 161). MoMA, The Russian Avant-Garde Book, 14-18 and pp. 68-9; Perloff, 'Mirskontsa' in Getty Research Journal, vol. 5 (2013), p.101.
Quarto (187 x 145mm). 39 leaves, one of these with a manuscript addition ['dramu pishem']; text lithographed or rubber-stamped throughout; with 28 lithographed illustrations (light browning; light wear in a few margins). Original tan wrappers, original decoupage by Goncharova and lithographed title label on the upper side (text block detached; spine chipped; extremities and label chipped; some soiling).
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