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拍品专文
Alberto Giacometti entwickelte seinen unverwechselbaren Stil der langen und schlanken Figuren in den späten 1940er-Jahren. Mehrheitlich basieren diese Skulpturen auf seinem Bruder Diego Giacometti (1902-1985) und seiner Frau Annette Arm (1923-1993). Dabei sind die männlichen Figuren meist schreitend und die weiblichen stehend gestaltet. Die Figurines sind die Vorgänger der Serie Femme de Venise und stellen den entscheidenden Ausgangspunkt für Giacomettis experimentelle Schaffensphase mit der weiblichen Form und der charakteristischen Gestaltung der Oberflächen dar. Sie stehen für die Auseinandersetzung des Künstlers mit den Themen der Einsamkeit, der Stärke und der Verwundbarkeit sowie der menschlichen Existenz.
Alberto Giacometti developed his unmistakeable style of long and slender figures in the late 1940’s. The majority of these sculptures are based upon his brother Diego Giacometti (1902-1985) and his wife, Annette Arm (1923-1993). The male figures are most often walking, while the female figures are standing. The Figurines were the forerunners of the series Femme de Venise and they portray the critical point of departure for Giacometti’s experimental creative phase with the feminine form and his characteristic manipulation of the surface. They represent Giacometti’s grappling with the themes of loneliness, strength and vulnerability, as well as with human existence in general.
Alberto Giacometti developed his unmistakeable style of long and slender figures in the late 1940’s. The majority of these sculptures are based upon his brother Diego Giacometti (1902-1985) and his wife, Annette Arm (1923-1993). The male figures are most often walking, while the female figures are standing. The Figurines were the forerunners of the series Femme de Venise and they portray the critical point of departure for Giacometti’s experimental creative phase with the feminine form and his characteristic manipulation of the surface. They represent Giacometti’s grappling with the themes of loneliness, strength and vulnerability, as well as with human existence in general.