A LUCANIAN RED-FIGURED BELL-KRATER
PROPERTY FROM A MANHATTAN PRIVATE COLLECTION
A LUCANIAN RED-FIGURED BELL-KRATER

ATTRIBUTED TO THE PISTICCI PAINTER, CIRCA 430-410 B.C.

细节
A LUCANIAN RED-FIGURED BELL-KRATER
ATTRIBUTED TO THE PISTICCI PAINTER, CIRCA 430-410 B.C.
11 ¼ in. (28.5 cm.) high
来源
Antiquities, Parke-Bernet, New York, 24-25 April 1970, lot 270.
Auktion XXII, Galerie am Neumarkt, Zurich, 16 April 1971, pl. 18, no. 133.
Antiquities, Sotheby's, London, 11 December 1989, lot 144.
Antiquities, Sotheby's, New York, 12-13 December 1991, lot 126A.
出版
A.D. Trendall, The Red-Figured Vases of Lucania, Campania and Sicily: Second Supplement, London, 1973, p. 155, no. 71A, pl. 29.2.
A.D. Trendall, The Red-Figured Vases of South Italy and Sicily: A Handbook, London, 1989, no. 7.

拍品专文

As Trendall informs (The Red-Figured Vases of South Italy and Sicily: A Handbook, p. 18), the earliest South Italian workshop for the production of red-figured vases is that of the Pisticci Painter. It is thought that the workshop was located at Metaponto in Lucania (modern Basilicata). His modern name was inspired by the town of Pisticci near Metaponto, the find-spot of several of his vases. His early work is extremely close to that of his Athenian contemporaries, primarily the followers of Polygnotos. The painter's favorite shape was the bell-krater, and the subject of many are associated with Dionysos and his followers, as seen on the vase presented here, where two balding satyrs are shown at an altar beside an ithyphallic herm.

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