Untitled

“I was always painting on wood, since the beginning. I never liked a surface with bounce. I also wanted the picture plane to have a very precise edge. With canvas, the edge is foundationally disconnected to the support. The problem, since the very beginning, upon leaving art school, was how to reinvent some rules, how to continue with abstraction but also introduce perspective. This led me to the next problem: how to paint a painting that was not founded on its bounded oneness but contingent upon different structures, whether they be architectural, optical, historical, or biographical.”

R.H. Quaytman