Dexter Dalwood (b. 1960)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Dexter Dalwood (b. 1960)

Camp David

细节
Dexter Dalwood (b. 1960)
Camp David
oil on canvas
78 x 131 7/8in. (198 x 335cm.)
Painted in 1999
来源
Acquired directly from the artist by the present owner in 1999.
展览
London, Saatchi Gallery, Neurotic Realism: Part II, 1999.
London, Saatchi Gallery, The Triumph of Painting III, 2005 (illustrated, unpaged).
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

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拍品专文

Envisaging America's best-kept open secret, Dexter Dalwood constructs his version of Camp David as a truly virtual space. In creating the architecture of the presidential retreat, Dexter Dalwood doesn't present a unified picture, but rather a series of separate paintings within the painting. The bookshelves and lampshades are rendered as free-floating minimalist forms, while the landscapes viewed through the windows show two unrelated types of geography. Dexter Dalwood paints each element with an economical sense of 'flat-pack', alluding to theatre props and backdrops. In representing one of the most hallowed emblems of US national security, Dexter Dalwood devises his own spooky conspiracy theory: the possibility that Camp David might not exist at all.