No VAT will be charged on the hammer price, but VA… 显示更多 PROPERTY FROM A EUROPEAN COLLECTION
Gerhard Richter (b. 1932)

Abstraktes Bild

细节
Gerhard Richter (b. 1932)
Abstraktes Bild
numbered '627-4' (on the overlap); signed, numbered and dated '627-4 Richter 1987' (on the reverse)
oil on canvas
20½ x 28 3/8in. (52 x 71.9cm.)
Painted in 1987
来源
Galerie Liliane & Michel Durand-Dessert, Paris.
Acquired from the above by the present owner.
出版
J. Storsve, 'L'Interview Jonas Storsve entretien avec Gerhard Richter. La peinture à venir' in Art Press, September 1991 (illustrated in colour, p. 16).
B. Buchloh (ed.), Gerhard Richter, Werkübersicht/Catalogue Raisonné 1962-1993, vol. III, Ostfildern-Ruit 1993, no. 627-4 (illustrated in colour, unpaged).
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

荣誉呈献

Dina Amin
Dina Amin

查阅状况报告或联络我们查询更多拍品资料

登入
浏览状况报告

拍品专文

"A picture like this is painted in different layers, separated by intervals of time. The first layer mostly represents the background, which has a photographic, illusionistic look to it, though done without using a photograph. This first, smooth, soft-edged paint surface is like a finished picture; but after a while I decide that I understand it or have seen enough of it, and in the next stage of painting I partly destroy it, partly add to it; and so it goes on at intervals, till there is nothing more to do and the picture is finished. By then it is a Something which I understand in the same way it confronts me, as both incomprehensible and self-sufficient. An attempt to jump over my own shadow...
"At that stage the whole thing looks very spontaneous. But in between there are usually long intervals of time, and those destroy a mood. It is a highly planned kind of spntaneity"
(Richter, 1984, quoted in H.-U. Orbist (ed.), Gerhard Richter: The Daily Practice of Painting. Writings and Interviews 1962-1993, London 1995, p. 112)