来源
(Probably) acquired by George William Fox, 9th Lord Kinnaird (1807-1878), and by descent to Kenneth, 12th Lord Kinnaird, Rossie Priory, Inchture, Perthshire; Christie's, London, 21 June 1946, lot 25 (290 gns. to the following);
with David M. Koester Gallery, New York, from whom acquired in 1952 by the North Carolina Museum of Art, Raleigh, North Carolina (no. 52.9.155), deacessioned by the museum; Sotheby's, New York, 28 January 1999, lot 201.
出版
Dr. Waagen, Treasures of Art in Great Britain, London, 1857, IV (supplement), p. 446.
W.R. Valentiner, North Carolina Museum of Art, Catalogue of Paintings, including three sets of tapestries, Raleigh, 1956, p. 79, no. 185, illustrated, as datable to circa 1506 (according to C. Gilbert).
The Samuel H. Kress Collection, North Carolina Museum of Art, Raleigh, 1960, pp. 80-1.
B.B. Fredericksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge Mass., 1972, pp. 75 and 627.
E. Negro and N. Roio, Francesco Francia e la sua scuola, Modena, 1998, pp. 251-2, as School of Francesco Francia.