Rembrandt van Rijn

Considered the greatest artist of the Dutch Golden Age, Rembrandt Harmenszoon van Rijn revolutionised painting with an exceptional command of light, shadow and brushwork, possessing his scenes and subjects with uncompromising realism and ambitious psychological intensity.

Born in Leiden in 1606, Rembrandt made his name after 1631 in the booming port of Amsterdam, painting portraits,


REMBRANDT HARMENSZ. VAN RIJN (LEIDEN 1606-1669 AMSTERDAM)

Portrait of Jan Willemsz. van der Pluym (c.1565-1644), bust-length; an­d Portrait of Jaapgen Carels (1565-1640), bust-length

Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)

Portrait of Petronella Buys (1610-1670), bust-length, in a brocaded black gown, bobin lace-trimmed double cartwheel ruff and pearled diadem cap

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ presented to the people (‘Ecce Homo’)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome reading in an Italian Landscape

REMBRANDT HARMENSZ. VAN RIJN (LEIDEN 1606-1669 AMSTERDAM)

Christ crucified between two Thieves: ‘The Three Crosses’

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses'

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses'

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses'

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Shell (Conus Marmoreus)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ crucified between two Thieves: ‘The Three Crosses’

Harmensz. van Rijn Rembrandt (1606-1669)

The Three Trees (B., Holl. 212; H. 205; New Holl. 214)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Woman sitting half dressed beside a Stove

Rembrandt Harmensz. van Rijn (1606-1669)

Christ crucified between the two Thieves: 'The Three Crosses' (B., Holl. 78; H. 270)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Angel departing from the Family of Tobias (copperplate and print)

Rembrandt Harmensz. van Rijn

The Three Trees (B., Holl. 212; H. 205; New Holl. 214)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Saint Jerome reading in an Italian Landscape

Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)

A strolling couple: an old man and a woman carrying a market pail

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait etching at a Window

Rembrandt Harmensz. van Rijn

The Agony in the Garden (B., Holl. 75; H. 293)

Rembrandt Harmensz. van Rijn

Saint Jerome reading in an Italianate Landscape (B., Holl. 104; H. 267)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Jupiter and Antiope: the larger Plate

Rembrandt Harmensz. van Rijn

The Woman with the Arrow

Rembrandt Harmensz. van Rijn (1606-1669)

Landscape with three gabled Cottages beside a Road (B., Holl. 217; H. 246)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Self-Portrait leaning on a Stone Sill

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Scholar in his Study ('Faust')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The French Bed ('Het Ledikantje')

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Landscape with three gabled Cottages beside a Road

Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)

Head of a bearded man in profile to the left

Rembrandt Harmensz. van Rijn

Jan Lutma, Goldsmith (B., Holl. 276; H. 290; New Holl. 293)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Christ and the Woman of Samaria: an arched Print

Rembrandt Harmensz. van Rijn

Adam and Eve (B., Holl. 28; H. 159)

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