PROPERTY FROM A SWISS PRIVATE COLLECTION
Max Ernst (1891-1976)

Paysage-effet d'attouchement

成交价 英镑 2,891,250
估价
英镑 1,500,000 – 英镑 2,500,000
估价不包括买家酬金。成交总额为下锤价加以买家酬金及扣除可适用之费用。
Scroll to top
Max Ernst (1891-1976)

Paysage-effet d'attouchement

成交价 英镑 2,891,250
拍品终止拍卖: 2020年2月5日
成交价 英镑 2,891,250
拍品终止拍卖: 2020年2月5日
细节
Max Ernst (1891-1976)
Paysage-effet d'attouchement
signed 'max ernst' (lower right); signed, dated and inscribed 'paysage effet d'attouchement 1934-35 Max Ernst MADE IN FRANCE' (on the reverse)
oil on canvas
39 3/8 x 31 7/8 in. (100 x 81 cm.)
Painted in 1934-1935
来源
The artist, until at least 1941.
James Johnson Sweeney, New York, until at least 1968.
Byron Gallery [Charles Byron], New York.
Acquired from the above by the present owner in the 1970s.
出版
C. Zervos, ed., 'Max Ernst, Œuvres de 1919 à 1936', in Cahiers d’Art, Paris, 1937, n.p. (illustrated).
Exh. cat., Max Ernst, Gemälde und Graphik 1920-1950, Brühl, 1951, p. 81 (illustrated; titled 'Landschaft mit Getreidekorn').
L’Œil, no. 10, October 1955 (illustrated on the cover).
H. Demisch, Vision und Mythos in der modernen Kunst, Stuttgart, 1959, no. 29, n.p. (illustrated; titled 'Landschaft mit dem Getreidekorn').
J. Gállego, 'Crónica de Paris', in Goya, no. 35, Madrid, 1960, p. 310 (illustrated; titled 'Paisaje').
E. Petrová, Max Ernst, Prague, 1965, no. 40 (illustrated).
J. Russell, Max Ernst, Life and Work, London, 1967, no. 66, p. 346 (illustrated; titled 'Paysage au germe de blé'; with incorrect dimensions and provenance).
U. M. Schneede, The Essential Max Ernst, London, 1972, no. 284, p. 211 (illustrated p. 143; titled 'Landscape with Wheatgerm' and with incorrect dimensions).
E. Quinn, Max Ernst, London, 1977, no. 221, n.p. (illustrated).
W. Spies & S. & G. Metken, Max Ernst, Werke 1929-1938, Cologne, 1979, no. 2148, p. 299 (illustrated).
C. Stokes, 'The Scientific Methods of Max Ernst. His Use of Scientific Subjects from La Nature', in The Art Bulletin, vol. 62, no. 3, 1980, p. 462 (under note 29).
G. & S. Metken, 'Max Ernst', in exh. cat, Classics of Modern Art, Andros, 1999, p. 127 (illustrated).
展览
Copenhagen, Den Frie Udstilling Bygning, International Kunstudstilling, Kubisme = Surrealisme, January 1935, no. 11, p. 16.
London, New Burlington Galleries, The International Surrealist Exhibition, June - July 1936, no. 83.
New York, The Museum of Modern Art, Fantastic Art, Dada, Surrealism, December 1936 - January 1937, no. 368, p. 224; this exhibition later travelled to Philadelphia, Museum of Art, January - March 1937; Boston, Museum of Modern Art, March - April 1937; Springfield, Museum of Fine Arts, April - May 1937; Milwaukee, Art Institute, May - June 1937; Minneapolis, University Art Gallery, University of Minnesota, June - July 1937; and San Francisco, Museum of Art, August - September 1937.
Paris, Musée National d’Art Moderne, Max Ernst, November - December 1959, no. 49, n.p.
New York, Museum of Modern Art, Dada, Surrealism, and Their Heritage, March - June 1968, no. 107, p. 233 (illustrated fig. 186, p. 129).
Turin, Galleria Galatea, Max Ernst, October - November 1969, n.p. (illustrated; titled 'Landscape with Poetical Effects').
New York, The Solomon R. Guggenheim Museum, Max Ernst: A Retrospective, February - April 1975, no. 165, p. 169 (illustrated; with incorrect dimensions).
Paris, Galeries nationales du Grand-Palais, Max Ernst, May - August 1975, no. 204, p. 162 (illustrated p. 89).
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Where Christie’s has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie’s therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

拍品专文

相关文章

更多来自 超现实主义艺术(晚间拍卖)