Lot Essay
The present table is distinguished by the simple elegance and refined geometry of its design. The richly textured burl top of this table is set into a rectangular frame, above a tall waist and beaded aprons and supported on long legs terminating in hoof feet. The absence of supporting braces or stretchers or heavily carved surface provide a sense of strength without heaviness. The darker toned, clustered burl top when paired with the minimal lines of this design create a striking contrast of visual and tactile texture, color and materials.
Tables of this form, featuring the high waist, are frequently depicted in Ming-dynasty woodblock prints. Often seen placed against walls or beds, these tables are shown displaying antiques or rocks or for serving wine and food. The small size allowed for a variety of uses both indoors and outdoors and moved about a space as needed. A larger huanghuali table of similar tall waist with legs terminating in hoof feet but supported by ‘giant’s arm’ braces is illustrated by N. Berliner in Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries, Museum of Fine Arts Boston, Boston, 1996, p. 130, no. 20. See, also, a huanghuali ‘rock’ table of related construction and similarly elegant proportions sold at Christie’s New York, 22 March 2019, lot 1169.
Tables of this form, featuring the high waist, are frequently depicted in Ming-dynasty woodblock prints. Often seen placed against walls or beds, these tables are shown displaying antiques or rocks or for serving wine and food. The small size allowed for a variety of uses both indoors and outdoors and moved about a space as needed. A larger huanghuali table of similar tall waist with legs terminating in hoof feet but supported by ‘giant’s arm’ braces is illustrated by N. Berliner in Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries, Museum of Fine Arts Boston, Boston, 1996, p. 130, no. 20. See, also, a huanghuali ‘rock’ table of related construction and similarly elegant proportions sold at Christie’s New York, 22 March 2019, lot 1169.