TEISCO, JAPAN, CIRCA 1966-1969
TEISCO, JAPAN, CIRCA 1966-1969
TEISCO, JAPAN, CIRCA 1966-1969
TEISCO, JAPAN, CIRCA 1966-1969
3 更多
TEISCO, JAPAN, CIRCA 1966-1969

A SOLID-BODY ELECTRIC BASS GUITAR, SPECTRUM BASS

细节
TEISCO, JAPAN, CIRCA 1966-1969
A SOLID-BODY ELECTRIC BASS GUITAR, SPECTRUM BASS
With applied nameplate on the back, MODEL NO. SPECTRUM BASS / SERIAL NO. 363666 / JAPAN, of a sunburst finish, together with a "Fender style" tweed hard-shell travel case
Length of body 17 ¼ in. (43.5 cm.)
TEISCO
拍场告示
Mark Knopfler plans to donate no less than 25% of the total hammer price received, to be split equally between The British Red Cross Society (a charity registered in England and Wales with charity number 220949, Scotland with charity number SC037738, Isle of Man with charity number 0752, and Jersey with charity number 430), Brave Hearts of the North East (a charity registered in England and Wales with charity number 1006247) and the Tusk Trust Limited (a charity registered in England and Wales with charity number 1186533).

荣誉呈献

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

拍品专文


Mark Knopfler purchased this bass in January 2004 from Fat Dog’s Subway Guitars in Berkeley, California, forming a pair with the previous lot. Photographed by co-producer Guy Fletcher, Knopfler was captured playing the sunburst Spectrum bass at British Grove Studios in 2006 during early demo recordings for his 2007 solo studio album Kill To Get Crimson. When the full band joined them to commence recording sessions in January 2007, bassist Glenn Worf used the Spectrum to record his bass parts for the album’s lead single 'True Love Will Never Fade', while Knopfler laid down the lead guitar on a Teisco Spectrum 5 (lot 72).

Knopfler told us: 'I play bass very badly. There’s the wire wound and the flat wound thing. I really enjoyed having a wire wound bass, but also to keep a flat wound bass, because a lot of the records would have flat wound strings on those basses. And then I just had totally impractical things… they’re just beautiful objects. If you know what you’re doing, you can coax really good sounds out of them.'

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