REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Small Grey Landscape: a House and Trees beside a Pool

细节
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Small Grey Landscape: a House and Trees beside a Pool
etching
circa 1640
on laid paper, without watermark
a fine impression of this very rare little landscape
printing clearly and strongly
trimmed to or fractionally inside the platemark
some tiny repairs and touches of grey wash
Sheet 37 x 82 mm.
来源
Otto Gerstenberg (1848-1935), Berlin; inscribed by his secretary, Mr Montag, with the deaccession number M-373 in pencil verso (without mark, see Lugt 1840c and 2785); presumably sold to Colnaghi & Co., London, and Harlow & Co., New York, with the majority of his collection.
Sir Hugh Seymour Walpole CBE (1884-1941), Auckland, Cambridge and Keswick (without mark and not in Lugt).
With Leicester Galleries, London (on behalf of the above, according to Downe's catalogue).
Richard Dawnay, 10th Viscount Downe (1903-1965), Wykeham Abbey, Yorkshire (Lugt 719a); his posthumous sale, Sotheby's, London, 7 December 1972, lot 160 (£ 2,100; to Ira Gale, presumably for Josefowitz).
Sam Josefowitz (Lugt 6094); presumably acquired from the above; then by descent to the present owners.
出版
Bartsch, Hollstein 207; Hind 175; New Hollstein 181 (this impression cited)
Stogdon p. 310
展览
Leicester Galleries, London, The Art Collection of the Late Sir Hugh Walpole: Etchings, lithographs and woodcuts, Part 3, 1945.

荣誉呈献

Tim Schmelcher
Tim Schmelcher International Specialist

拍品专文

This tiny etching is the very first landscape Rembrandt created in the print medium, around 1640. In miniature, we see a house by a pond surrounded by trees and shrubs. A figure stands in the doorway of the house, illuminated from inside, another is leaning over the edge of the water, perhaps to wash or clean something. With a little dash of the needle, Rembrandt added a duck at the lower centre. It is a charming scene, but what an inconspicuous beginning in a genre the artist would excel in! Only three years later he would create a landscape print that to this day is considered a masterpiece of the genre and of printmaking: The Three Trees (lot 17, Old Masters Part I). Perhaps this little print was just an amusement for the artist, etched on a scrap of a plate, but then he discovered he had a taste for landscapes and began to explore the genre further. Rembrandt must have printed it only in small numbers, for it is very rare, and even a very ambitious collector like Otto Gerstenberg deemed this unassuming little print worth having. There's magic in every beginning.

更多来自 塞缪尔‧约瑟夫维兹珍藏:伦勃朗图像杰作

查看全部
查看全部