拍品 359
359
A SET OF SEVEN FRENCH SILVER FIGURAL STANDS
A SET OF SEVEN FRENCH SILVER FIGURAL STANDS
A SET OF SEVEN FRENCH SILVER FIGURAL STANDS
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A SET OF SEVEN FRENCH SILVER FIGURAL STANDS

MARK OF ERNEST CARDEILHAC, PARIS, CIRCA 1895

细节
A SET OF SEVEN FRENCH SILVER FIGURAL STANDS
MARK OF ERNEST CARDEILHAC, PARIS, CIRCA 1895
All formed of three putti seating on a rocaille base cast with scrolls and shells, their arms raised to hold the bowl, comprising two large stands of triangular outline with mirror center and five smaller stands of circular outline, marked on the two large stands and two small stands: Minerva, and on three small stands: Minerva, maker's mark and stamp CARDEILHAC PARIS
7 1⁄8 in. (18 cm.) long, the small stands; 11 7⁄8 in. (30 cm.) long, the large stands
638 oz. 7 dwt. (19,855 gr.)
来源
Probably Baron Alphonse de Rothschild (1827-1905).
By descent to the present owners.

拍品专文

Cardeilhac was founded in Paris in 1804 by Antoine-Vital, whose workshop was located at 91, rue de Rivoli. His son, Armand Edouard, succeeded him in 1851 and the production consisted exclusively of holloware and cutlery. From 1855, Ernest introduced more variety using precious metals and materials such as lapis lazuli, ivory and glass which fitted well with the fashion for historicist pieces. Much like Odiot, Christofle and Boin-Taburet, Cardeilhac responded to the demand for Louis XV style by creating tables centerpieces and stands decorated with playful putti, exuberant rocaille after the designs of by Juste-Aurèle Meissonnier circa 1738-1749 and in the taste of François Thomas Germain (1726-1791) as for the pieces of King Joseph I of Portugal.

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