A LARGE URBINO MAIOLICA TWO-HANDLED ARMORIAL BASIN
A LARGE URBINO MAIOLICA TWO-HANDLED ARMORIAL BASIN
A LARGE URBINO MAIOLICA TWO-HANDLED ARMORIAL BASIN
3 更多
A LARGE URBINO MAIOLICA TWO-HANDLED ARMORIAL BASIN
6 更多
A LARGE URBINO MAIOLICA TWO-HANDLED ARMORIAL BASIN

CIRCA 1570-1585, FONTANA WORKSHOP OR PATANAZZI WORKSHOP

细节
A LARGE URBINO MAIOLICA TWO-HANDLED ARMORIAL BASIN
CIRCA 1570-1585, FONTANA WORKSHOP OR PATANAZZI WORKSHOP
Of campana form with a flaring and fluted neck, the gadrooned bulbous body on a circular socle, the handles formed as monsters’ heads with double tails, the white-ground exterior and interior painted with grotesques, the interior with a central medallion enclosing an oval shield with a coat of arms within a strapwork escutcheon and surmounted by a cardinal’s red galero, flanked on each side by six pendant tassels, the rim painted with a band of egg-and-dart ornament
18 3⁄8 in. (46.7 cm.) wide; 10 ¼ in. (25.9 cm.) high
来源
Commissioned for Cardinal Felice Peretti (1521-1590).
Baron Alphonse de Rothschild (1827-1905).
Baron Édouard de Rothschild (1868-1949).
Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg following the Nazi occupation of France in May 1940 (ERR no. R 4071).
Recovered by the Monuments Fine Arts and Archives Section from the Altaussee salt mines, Austria, and transferred to the Munich Central Collecting Point, 23 June 1945 (MCCP no. 391/1).
Returned to France on 9 January 1946 and restituted to the Rothschild family.
By descent to the present owners.
出版
Collections de M. le baron Alphonse de Rothschild, circa 1900 (n.d.), Vol. I.

拍品专文

The arms are for Cardinal Felice Peretti (1521-1590), who was created a Cardinal in May 1570 by Pope Pius V, and who later became Pope Sixtus V in 1585.

For a basin of this unusual form with related decoration of grotesques on a white ground, see Jeanne Giacomotti, Catalogue des majoliques des musées nationaux, Paris, 1974, pp. 363-364, no. 1089. The form may be inspired by the antique Torlonia vase, see Phyllis Pray Bober and Ruth Rubinstein, Renaissance Artists and Antique Sculpture, a Handbook of Sources, London, 1986, p. 124.

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