A GERMAN RENAISSANCE SILVER-GILT CUP AND COVER OR BUCKELPOKAL
A GERMAN RENAISSANCE SILVER-GILT CUP AND COVER OR BUCKELPOKAL
A GERMAN RENAISSANCE SILVER-GILT CUP AND COVER OR BUCKELPOKAL
1 更多
A GERMAN RENAISSANCE SILVER-GILT CUP AND COVER OR BUCKELPOKAL
4 更多
A GERMAN RENAISSANCE SILVER-GILT CUP AND COVER OR BUCKELPOKAL

MARK OF HANS PEZOLT, NUREMBERG, 1593-1602

细节
A GERMAN RENAISSANCE SILVER-GILT CUP AND COVER OR BUCKELPOKAL
MARK OF HANS PEZOLT, NUREMBERG, 1593-1602
On spreading base, embossed with lobes within chased scrolls, the vase shaped stem applied with ram's heads alternating with winged female busts and beaded scrolls, the waisted cup chased with Renaissance cartouches, scrolls and fruit trophies framing lobes interspersed with applied putto masks on matted ground, the flaring rim embossed with large lobes, the detachable cover with soldier finial on raised center, marked on foot-rim and cover inner rim
21 in. (54 cm.) high
46 oz. 9 dwt. (1,446 gr.)
来源
The Collection of the Rothschild family.
By descent to the present owners.
出版
C. de Nicolay-Mazery, Visites privées, hôtels particuliers de Paris, Paris, 1999, p. 14.
C. Frégnac and W. Andrews, The Great Houses of Paris, London, 1979, p. 79, illustrated in situ, p. 80.

拍品专文

Hans Pezolt (1551-1633) was one of the most productive, most sought-after and artistically talented Nuremberg goldsmiths of the end of the 16th and early 17th century. In that period, he produced a large number of works of which forty or so are extant The Nuremberg City Records show that between 1595-1614 he was commissioned to produce a total of sixty-four lobed cups and eighteen 'pineapple' cups as well as two salt-cellars to be presented to visiting dignitaries including Arch Duke Matthias of Bohemia, later Holy Roman Emperor (1557-1619) and Count Axel Oxenstierna (1583 - 1654), the Swedish Imperial Chancellor. Pezolt's foreign clients included Emperor Rudolf II (1552-1612), to whom he delivered a silver fountain, and the Bavarian Duke Wilhelm V (1548-1626), to whom he supplied a silver chandelier. After the death of Wenzel Jamnitzer in 1585, Pezolt became the leading Nuremberg goldsmith and pioneered the Gothic revival style subsequently embraced by his contemporaries including amongst others Hans Kellner, Christoph Jamnizter and Hans Beutmüller.
Several examples of this form of cup known as Buckelpokal are recorded including one dated 1578-1591 with arms of the Kress family in the Germanisches Nationalmuseum in Nuremberg illustrated in K. Tebbe, Nürnberger Goldschmiedekunst 1541-1868, Nürnberg, 2007, vol. 2, p. 174, fig.. 144.and one dated 1593-1602 adorned in the lid with the enameled portrait of Andreas Imhof illustrate in M. Bachtler, Goldschmiedekunst, Bielefeld, 1986, fig. 8.

更多来自 罗斯柴尔德典藏:品味之选

查看全部
查看全部