AN URBINO MAIOLICA 'ACCOUCHEMENT' BOWL AND COVER
AN URBINO MAIOLICA 'ACCOUCHEMENT' BOWL AND COVER
AN URBINO MAIOLICA 'ACCOUCHEMENT' BOWL AND COVER
AN URBINO MAIOLICA 'ACCOUCHEMENT' BOWL AND COVER
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AN URBINO MAIOLICA 'ACCOUCHEMENT' BOWL AND COVER

1580-1600, PROBABLY PATANAZZI WORKSHOP

细节
AN URBINO MAIOLICA 'ACCOUCHEMENT' BOWL AND COVER
1580-1600, PROBABLY PATANAZZI WORKSHOP
Of waisted form on a small circular foot, the high pointed cover terminating in a double-knopped finial, the white-ground exterior and cover painted with grotesques, the interior with a band of grotesques above a central medallion with a young woman suckling an infant on a terrace, a distant landscape beyond, the underside of both the bowl and cover with printed labels inscribed 'P. 48 / E. de R./ 93' and 'P. 48 / E. de R./ 93B' for Édouard de Rothschild
6 7⁄8 in. (17.5 cm.) high
来源
Baron Alphonse de Rothschild (1827-1905).
Baron Édouard de Rothschild (1868-1949).
Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg following the Nazi occupation of France in May 1940 (ERR no. R 4092).
Recovered by the Monuments Fine Arts and Archives Section from the Altaussee salt mines, Austria (no. 317/11), and transferred to the Munich Central Collecting Point, 23 June 1945 (MCCP no. 391/11).
Returned to France on 9 January 1946 and restituted to the Rothschild family,
By descent to the present owners.
出版
Collections de M. le baron Alphonse de Rothschild, circa 1900 (n.d.), Vol. I.

拍品专文

This bowl and cover would once have been part of an accouchement set, or childbirth set, which contained fortifying broth or treats for new mothers. These sets consisted of various types of vessels, and according to the contemporary account recorded by Cipriano Piccolpasso, they could include up to nine pieces. For a three-part set in the Detroit Institute of Arts consisting of a bowl very similar to the present lot, a cover and a stand, see Timothy Wilson, Tin-Glaze and Image Culture, the MAK Maiolica Collection in its wider context, The MAK, Vienna, April – August Exhibition Catalogue, Stuttgart, 2022, p. 230, where the drawing in Piccolpasso’s Li tre libri dell’arte del vasajo (The Three Books of the Potter’s Art), which shows a five-part set, is also illustrated.

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