MARILÈNE OLIVER (B. 1977)
Artist's Resale Right ("Droit de Suite"). Artist's… 顯示更多 PROPERTY FROM AN IMPORTANT CORPORATE COLLECTION
MARILÈNE OLIVER (B. 1977)

I Know You Inside Out

細節
MARILÈNE OLIVER (B. 1977)
I Know You Inside Out
silver ink silkscreen on acrylic with steel rods, in a plexiglass case
77 1/4 x 30 1/2 x 22 1/2 in. (196.2 x 77.2 x 57cm.), including plexiglass case
Conceived in 2001, from a set of four sculptures each in an edition of 6, plus 2 artist's casts.
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. This lot will be removed to our storage facility at Momart. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Momart. All collections from Momart will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

榮譽呈獻

Alice Murray
Alice Murray Head of Evening Sale

拍品專文

Working at the intersection between new digital technologies, traditional print and sculpture, Marilène Oliver has exhibited widely in the UK and Europe in both private and public collections and galleries including The Courtauld, Victoria and Albert Museum, Royal Academy, Kunsthalle Ahlen, Casino Luxembourg, and The Wellcome Trust. Her finished sculptures bridge the virtual and the real worlds; living in both and neither simultaneously. She works with the body translated into data form in order to repair the fragmentation and dislocation of the body brought about by medical imaging and electronic communication by using the digitised body to make sculptures. Oliver uses various scanning technologies, such as MRI, CT, and PET to reclaim the body from the contemporary medical and digital gaze in order to poetically subvert it and offer future relics of the increasingly digitised self.

The present work has been made using the cryo-sections of Joseph Paul Jernigan, AKA the Visible Human. The cryo-section images were downloaded from the Internet and translated in order to be silkscreen printed onto sheets of clear acrylic. The printed sheets are stacked to create the illusion of a physical presence.

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