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THE SURREALIST WORLD OF ROSALIND GERSTEN JACOBS AND MELVIN JACOBS
MAN RAY (1890–1976)
Rayograph, 1930
细节
MAN RAY (1890–1976)
Rayograph, 1930
signed and dated in pencil 'Man Ray 1930' (lower right); stamped in black ink 'ORIGINAL' and photographer's credit in black ink 'MAN RAY 31bis, RUE CAMPAGNE PREMIÈRE PARIS - 14e' and variously annotated in pencil (on the reverse of the flush mount)
unique gelatin silver print, flush-mounted on card
image/sheet/flush mount: 11 1⁄2 x 9 3⁄8 in. (29.5 x 23.5 cm.)
Rayograph, 1930
signed and dated in pencil 'Man Ray 1930' (lower right); stamped in black ink 'ORIGINAL' and photographer's credit in black ink 'MAN RAY 31bis, RUE CAMPAGNE PREMIÈRE PARIS - 14e' and variously annotated in pencil (on the reverse of the flush mount)
unique gelatin silver print, flush-mounted on card
image/sheet/flush mount: 11 1⁄2 x 9 3⁄8 in. (29.5 x 23.5 cm.)
来源
Acquired from the artist by the late owners, circa 1965.
展览
Miami, Museum of Contemporary Art, Sweet Dreams and Nightmares: Dada and Surrealism from the Rosalind and Melvin Jacobs Collection, March-May 2000, no. 14 (illustrated).
New York, Pace/MacGill Gallery, The Long Arm of Coincidence: Selections from the Rosalind and Melvin Jacobs Collection, April-May 2009 (illustrated).
New York, The Pace Gallery, Burning, Bright: A Short History of the Light Bulb, October-November 2011.
New York, Pace/MacGill Gallery, The Long Arm of Coincidence: Selections from the Rosalind and Melvin Jacobs Collection, April-May 2009 (illustrated).
New York, The Pace Gallery, Burning, Bright: A Short History of the Light Bulb, October-November 2011.