JOHN D'ANGELICO, NEW YORK, CIRCA 1938
JOHN D'ANGELICO, NEW YORK, CIRCA 1938
JOHN D'ANGELICO, NEW YORK, CIRCA 1938
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Please note this lot will be moved to Christie’s F… 显示更多
JOHN D'ANGELICO, NEW YORK, 1938

AN ARCH-TOP GUITAR, NEW YORKER

细节
JOHN D'ANGELICO, NEW YORK, 1938
AN ARCH-TOP GUITAR, NEW YORKER
Inlaid at the headstock D'Angelico and engraved NEW / YORKER, the tailpiece engraved D'Angelico / NEW YORK, stamped internally 1362, ebony fingerboard and bridge, pearl inlay, with later hard-shell case
Length of back 21 5⁄16 in. (54 cm.)
Width of lower bout 18 in. (45.7 cm.)
出版
Schmidt, P.W., Acquired of the Angles, Lanham, MD, 1998, p. 160; Tsumura, A., Guitars, The Tsumura Collection, Tokyo, 1987, p. 180.
注意事项
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice. Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone certain species of coral, and Brazilian rosewood. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to import the lot into another country. Several countries refuse to allow you to import property containing these materials, and some other countries require a licence from the relevant regulatory agencies in the countries of exportation as well as importation. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age, and you will need to obtain these at your own cost.

荣誉呈献

Nathalie Ferneau
Nathalie Ferneau Head of Sale, Junior Specialist

拍品专文

The sound and quality of D'Angelico arch-tops are legendary to those in-the know. Vintage arch-tops like this one were designed to be played with big bands and were often reached for to create the sound of jazz. The body's ability to amplify sound meant it could be heard all the way in the back of the room before the days of amplifiers and electronics. According to Rodgers: "There’s just nothing that sounds like it. That’s just the real deal jazz…that’s like, that’s what you want a guitar to sound like when you’re playing that style. To me that’s as good as it gets....The few numbers of D’Angelicos...that were ever made, they all were bought by people who could afford them, one, and people who appreciated an instrument of that quality. That was to any jazz guitar player, those were our Stradivariuses. That’s it! You couldn’t get any better than that."

Rodgers' musical journey is firmly rooted in jazz. Speaking of his childhood, "... I was a jazzer at heart, because jazz was the music of choice in my beatnik parents' household. I loved it, too. ( Le Freak, p.100)." Later on, when Rodgers and Bernard Edwards were crafting CHIC's musical identity, Rodgers would again turn to jazz. " Musically, I found my inspiration in jazz. Many of my
jazz heroes were enjoying hit records-- only they were doing it by creating R&B dance music....So we developed a new sounds that was a fusion of jazz, soul, and funk grooves with melodies and lyrics that were more European influenced" ( Le Freak, p.121).

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