GIBSON INCORPORATED, BOZEMAN, 2009
GIBSON INCORPORATED, BOZEMAN, 2009
1 更多
Please note lots marked with a square will be move… 显示更多
GIBSON INCORPORATED, NASHVILLE, 2009

A SOLID-BODY ELECTRIC GUITAR, LES PAUL 57 HISTORIC GOLD TOP

细节
GIBSON INCORPORATED, NASHVILLE, 2009
A SOLID-BODY ELECTRIC GUITAR, LES PAUL 57 HISTORIC GOLD TOP
Inlaid at the headstock Gibson and silk screened Les Paul MODEL and Gibson logos, ink stamped on the reverse 7 9820, with hardshell case bearing a label inscribed LES PAUL GOLD 2009 HOME; accompanied by the original Certificate of Authenticity, warranty tag and Gibson Gold Warranty booklet from Gibson Custom Shop, copies of email correspondence between The ToneQuest Report and David Gilmour Music Ltd, a copy of the original sales invoice from The ToneQuest Report and a handwritten note by guitar technician Phil Taylor on Astoria headed stationery detailing several modifications to the guitar
Length of back 17 ¼ in. (43.8 cm.)
注意事项
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information. Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone certain species of coral, and Brazilian rosewood. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to import the lot into another country. Several countries refuse to allow you to import property containing these materials, and some other countries require a licence from the relevant regulatory agencies in the countries of exportation as well as importation. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age, and you will need to obtain these at your own cost.

拍品专文

On the instruction of David Gilmour’s longtime guitar technician Phil Taylor, David Wilson of guitar magazine The ToneQuest Report purchased this Les Paul 57 Gold Top directly from Gibson Custom Shop in late 2009, with a view to optimizing the standard model in line with Gilmour’s preferences. Wilson oversaw considerable modifications to the guitar including the replacement of the standard Burstbucker pickups with a J.M. Rolph ’58 PAF Humbucker, replacement of the standard tuners for Grover Rotomatics and modification of the wiring to preserve the treble when the volume is cut. On receipt of the guitar in January 2010, Taylor commissioned additional alterations to further optimize the feel and tone of the instrument, later making additional refinements in February 2011. According to Taylor, Gilmour really liked the modified guitar, which was unusual as humbuckers would not generally be his preference, and went on to use it during a recording session at his West Sussex studio in July 2013, playing through a 1958 Fender Tweed Deluxe and then a Tweed Champ amplifier. Gilmour’s 2013 solo recording sessions developed into his first solo project in almost a decade, the 2015 album Rattle That Lock.

更多来自 大卫·吉尔摩吉他珍藏

查看全部
查看全部