NASH GUITARS, OLYMPIA, CIRCA 2007
NASH GUITARS, OLYMPIA, CIRCA 2007
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Please note lots marked with a square will be move… 显示更多 NASH GUITARSBased in Olympia, Washington, Bill Nash specializes in solid-body electric guitars utilizing nitrocellulose finishes that are often artificially distressed to appear aged. Launching his business as a custom maker in 2001, Nash Guitars now employs nine workers and, according to interviews in 2011, produces approximately 90 guitars a month.
NASH GUITARS, OLYMPIA, CIRCA 2007

A SOLID-BODY ELECTRIC GUITAR, IN THE STYLE OF A 1952 TELECASTER, T-52

细节
NASH GUITARS, OLYMPIA, CIRCA 2007
A SOLID-BODY ELECTRIC GUITAR, IN THE STYLE OF A 1952 TELECASTER, T-52
Inscribed by the maker to the back of the headstock 'B Nash 07', with original hardshell case bearing a label inscribed BILL NASH TELECASTER '07 -TAKEN TO USA/EUROPE AS SPARE CASE LEFT HERE 11/03/16; accompanied by the original paper hang tag
Length of back 15 ¾ in. (40 cm.)
注意事项
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

拍品专文

Pink Floyd bassist Guy Pratt arranged the purchase of this guitar on behalf of David Gilmour. A replacement neck was supplied by Nash Guitars and fitted to the guitar after it was decided that the original neck was too large for Gilmour’s taste. The guitar was carried as a dressing room guitar on the North American and European legs of Gilmour’s Rattle That Lock Tour from March to July 2016, in support of his fourth solo album Rattle That Lock.

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