FENDER MUSICAL INSTRUMENTS CORPORATION, CORONA, 2007
FENDER MUSICAL INSTRUMENTS CORPORATION, CORONA, 2007
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FENDER MUSICAL INSTRUMENTS CORPORATION, CORONA, 2007

A SOLID-BODY ELECTRIC GUITAR, STRATOCASTER, 57V

细节
FENDER MUSICAL INSTRUMENTS CORPORATION, CORONA, 2007
A SOLID-BODY ELECTRIC GUITAR, STRATOCASTER, 57V
The headstock bearing the decal logo Fender STRATOCASTER / WITH SYNCHRONIZED TREMOLO / ORIGINAL / Contour / Body, the neckplate stamped 176157, the finish black, with original hardshell case bearing a label inscribed FENDER STRATOCASTER V57 BLACK -SUHR, CRYO POTS+SWITCH +ODD NECK +MID SEYMOUR 5 +PLATE V176157; accompanied by the original paper hang tag and warranty tag, a commercial invoice from Fender Musical Instruments to David Gilmour Music Ltd, dated 13th November 2007, and installation instructions for the Backplate Silent Single Coil system
Length of back 15 ¾ in. (40 cm.)
注意事项
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

拍品专文

Acquired directly from Fender Musical Instruments, Ontario, California, in November 2007, this Fender Stratocaster was modified specifically as a test platform for David Gilmour to trial various pickup, control, wiring and bridge configurations before making alterations to his primary performance guitar. Fully detailed in the condition report, the present modifications to the instrument are also inscribed by guitar technician Phil Taylor in blue marker pen on a handwritten label to the back of the guitar.

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