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爱马仕最受藏家欢迎的色彩指南
颜色是揭示爱马仕包袋独特韵味的重要元素。从3Q樱花粉、10奶昔白，到37金棕色，佳士得专家为您盘点爱马仕历史上令藏家趋之若鹜的美妙色彩
拍品专文
`I do think the iPad is a new art form. Much better than a lithograph. Inkjet printing is more vivid—the colour stays exactly the same. The prints use an awful lot of pigment. But the bigger they get, they don’t fade, don’t pixelate.’ (David Hockney)
The Arrival of Spring in Woldgate, East Yorkshire (see lots 169-170) were first exhibited in A Bigger Picture, the artist’s landmark exhibition at the Royal Academy in 2012. The series follows the gradual changing of the season, from 1 January to 2 June 2011, and were popularly acclaimed. Although the works were executed on an iPad, sometimes taking two or three days to draw, Hockney’s intention was for them to be printed on a much larger format. An edition of 25 were digitally printed on paper (see lot 169), and a further ten in a larger format, mounted on dibond, of which this lot is an example.
The Arrival of Spring in Woldgate, East Yorkshire (see lots 169-170) were first exhibited in A Bigger Picture, the artist’s landmark exhibition at the Royal Academy in 2012. The series follows the gradual changing of the season, from 1 January to 2 June 2011, and were popularly acclaimed. Although the works were executed on an iPad, sometimes taking two or three days to draw, Hockney’s intention was for them to be printed on a much larger format. An edition of 25 were digitally printed on paper (see lot 169), and a further ten in a larger format, mounted on dibond, of which this lot is an example.
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