![BIEL, Gabriel (1425-1495). Sacri canonis missae expositio. Edited by Wendelin Steinbach. Additions by Heinrich Bebel. Tübingen: [Johann Otmar], for Friedrich Meynberger, 29 November 1499.](https://www.christies.com.cn/img/LotImages/2017/CKS/2017_CKS_14299_0104_001(biel_gabriel_sacri_canonis_missae_expositio_edited_by_wendelin_steinba052330).jpg?w=1)
![BIEL, Gabriel (1425-1495). Sacri canonis missae expositio. Edited by Wendelin Steinbach. Additions by Heinrich Bebel. Tübingen: [Johann Otmar], for Friedrich Meynberger, 29 November 1499.](https://www.christies.com.cn/img/LotImages/2017/CKS/2017_CKS_14299_0104_000(biel_gabriel_sacri_canonis_missae_expositio_edited_by_wendelin_steinba052330).jpg?w=1)
细节
BIEL, Gabriel (1425-1495). Sacri canonis missae expositio. Edited by Wendelin Steinbach. Additions by Heinrich Bebel. Tübingen: [Johann Otmar], for Friedrich Meynberger, 29 November 1499.
The publication of two of Biel's theological treatises at Tübingen on the same date suggests that he remained an influential theologian after his death, one of his readers being the young Martin Luther. Johann Otmar was printer to Tübingen University from 1498 to 1501. However, he printed this work in type brought from Reutlingen [75] where he had worked for the much longer period of 1482 to 1495. HC *3179; GW 4333; BMC III 703; BSB-Ink B-504; CIBN B-469; Goff B-660.
Chancery folio (270 x 195mm). Woodcut of the crucifixion on f3r. Woodcut T with snake on f3v, capital spaces elsewhere filled in red. (Scattered wormholes throughout, not heavy but affecting odd letters in some quires, more severe worming on two final leaves). Contemporary blind-panelled calf over wooden boards from an Augsburg workshop [Kyriss 86, plate 175, figs. 1-2,4 and 6], centre panel of scrolling flowers enclosed by multiple rolls and fillets, front cover with title tooled at head (rather worn, more especially on spine). Provenance: Altötting, ecclesiastical college (inscription on a2r, 'AO' monogram on binding) – Munich, Royal Library ('Duplum’).
The publication of two of Biel's theological treatises at Tübingen on the same date suggests that he remained an influential theologian after his death, one of his readers being the young Martin Luther. Johann Otmar was printer to Tübingen University from 1498 to 1501. However, he printed this work in type brought from Reutlingen [75] where he had worked for the much longer period of 1482 to 1495. HC *3179; GW 4333; BMC III 703; BSB-Ink B-504; CIBN B-469; Goff B-660.
Chancery folio (270 x 195mm). Woodcut of the crucifixion on f3r. Woodcut T with snake on f3v, capital spaces elsewhere filled in red. (Scattered wormholes throughout, not heavy but affecting odd letters in some quires, more severe worming on two final leaves). Contemporary blind-panelled calf over wooden boards from an Augsburg workshop [Kyriss 86, plate 175, figs. 1-2,4 and 6], centre panel of scrolling flowers enclosed by multiple rolls and fillets, front cover with title tooled at head (rather worn, more especially on spine). Provenance: Altötting, ecclesiastical college (inscription on a2r, 'AO' monogram on binding) – Munich, Royal Library ('Duplum’).
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