Andy Warhol (1928-1987)
PROPERTY FROM THE ALLAN STONE COLLECTION
Andy Warhol (1928-1987)

Campbell’s Soup Can (Chicken with Rice)

细节
Andy Warhol (1928-1987)
Campbell’s Soup Can (Chicken with Rice)
incised with the artist's signature and dated 'Andy Warhol 66' (on the underside)
silk-screen lacquer on paper and bronze
4 x 2 5/8 x 2 5/8 in. (10.2 x 6.7 x 6.7 cm.)
Executed in 1966. This work is one of two bronze examples aside from an unrealized edition of thirteen aluminum examples.
来源
Paul Bianchini Gallery, New York
Ben Birillo, New York
Acquired from the above by the present owner
出版
J. Baal-Teshuva, Andy Warhol: 1928-1987, Munich, 1993, p. 48, no. 37 (another aluminum example illustrated).
展览
Long Beach, California State University Art Museum; New Brunswick, Jane Voorhees Zimmerli Art Museum; Baltimore Museum of Art; Montgomery Museum of Fine Arts; Minneapolis, University of Minnesota, Frederick R. Weisman Art Museum; San Antonio, Marion Koogler McNay Art Museum; Wichita Art Museum; Omaha, Joslyn Art Museum; Coral Gables, University of Miami, Lowe Art Museum, and Toledo Museum of Art, The Great American Pop Art Store Multiples of the Sixties, August 1997-August 2000, p. 16, no. 82 (another aluminum example exhibited and illustrated).
Davenport Museum of Art; Wichita Art Museum; Vero Beach, Center for the Arts; Little Rock, Arkansas Art Center; Scottsdale Center for the Arts; Charlotte, Mint Museum of Art; Charleston, Sunrise Museums; Binghamton, Roberson Center for the Arts; Chattanooga, Hunter Museum of Art; Oklahoma City, Oklahoma Art Center; Memphis Brooks Museum of Art and Berkeley, University of California at Blackhawk, University Art Museum, Contemporary Icons and Explorations The Goldstrom Family Collection, April 1988-March 1992, p. 12, no. 70 (another aluminum example exhibited and illustrated).

拍品专文

In 1966, Andy Warhol called upon Ben Birillo to issue a life-sized, limited edition of metal soup can sculptures in the likeness of his already-famous Campbell’s Soup Cans paintings. As a curator, Birillo had organized the groundbreaking and innovative American Supermarket show at the Bianchini Gallery in 1964, which featured Warhol among other Pop masters; as a collector, he was a significant benefactor of Warhol, having commissioned his Shot Marilyn series that same year.

The result was Campbell’s Soup Can (Chicken with Rice), an edition of approximately thirteen hand-lathe turned aluminum cans with silkscreened Campbell’s Soup Chicken labels. In addition to this grouping, Birillo generated two bronze examples, including the present work. Its significance in the context of the aluminum grouping is identified both by scarcity, and by weight: its heaviness is remarkable and unpredictable, an added emphasis on the posterity of Warhol’s influence on the contemporary art world.

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