G. Celant, Arte Povera, Milan, 1969, p. 8, no. 111.
G. Celant, Arte Povera, Storie e protagonisti/ Histories and protagonists, Milan, 1985, p. 107, no. 91 (another version illustrated).
The Knot. Arte Povera at P.S.1, exh. cat., New York, P.S.1, 1985, p. 58 (another version illustrated).
Periplo della scultura italiana contemporanea, exh. cat., Rome, Biennale internazionale di scultura contemporanea, le chiese di Madonna delle Virtù e di San Nicola dei Greci, 1988.
Giovanni Anselmo, exh. cat., Lyon, Musée d'art Contemporain, 1989, no. 19 (another version illustrated in color).
R. Maggio Serra and R. Passoni, Galleria Civica d'Arte Moderna e Contemporanea Torino. Il Novecento. Catalogo delle opere esposte, Milan, 1993, p. 560 (another version illustrated).
M. Bouisset, Arte Povera, Paris, 1994, n.p. (another version illustrated).
Giovanni Anselmo, exh. cat., Santiago de Compostela, Centro Galego de Arte Contemporáneo, 1995, p. 16, pl. 2, no. 21 (another version illustrated).
Arte Povera e dintorni, exh. cat., Milan, Mazzotta, 1997, p. 26 (another version illustrated in color).
Arte Italiana. Ultimi quarant'anni. Materiali anomali, exh. cat., Bologna, Galleria d'Arte Moderna, 1997, pp. 51-52 (installation view illustrated).
C. Christov-Bakargiev, Arte Povera, London, 1999, p. 78 (another version illustrated).
A. Minola, M. C. Mundici, F. Poli, and M.T. Roberto, GianEnzo Sperone. Torino, Roma, New York. 35 anni di mostre tra Europa e America, Turin, 2000, p. 128 (installation view illustrated).
Arte Povera: Selections from the Sonnabend Collection, exh. cat., New York, Columbia University, 2001, p. 30, fig. 20 (illustrated).
C. Rattemeyer, ed., Exhibiting the New Art: 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969, London, 2010, p. 76, fig. 9 (installation view illustrated).
Ileana Sonnabend: Ambassador for the New, New York, Museum of Modern Art, 2013, p. 83 (installation view illustrated).