‘When I paint an Abstract Picture, I neither know in advance what it is meant to look like nor, during the painting process, what I am aiming at and what to do about getting there. Painting is consequently an almost blind, desperate effort, like that of a person abandoned, helpless, in totally incomprehensible surroundings’ (G. Richter, quoted in J. Harten & D. Elger, Gerhard Richter: Paintings 1962-1985, Dusseldorf 1986, p. 89).
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