Filippino Lippi (Prato circa 1457-1504 Florence)
PROPERTY OF A PRIVATE COLLECTOR 
Filippino Lippi (Prato circa 1457-1504 Florence)

The Young Saint John the Baptist praying in a landscape

细节
Filippino Lippi (Prato circa 1457-1504 Florence)
The Young Saint John the Baptist praying in a landscape
tempera, oil and gold on panel
28¾ x 16 in. (73 x 40.6 cm.), a fragment
with inscription 'ECCE AGNUS/DEI' (on the scroll, lower right)
来源
Arthur Ruck, London.
William Harrison Woodward, London, by 1925; Sotheby's, London, 13 May 1931, lot 29 (£400 to T. Borenius).
Professor Tancred Borenius, London.
with Galerie Fleischmann, Munich, 1935.
Baron Maurice de Kornfeld (1882-1967), and thence by descent to the present owner.
出版
C.H. Collins Baker, 'Old Masters at Messrs. Agnew', The Burlington Magazine, XLVI, no. 267, June 1925, p. 8, no. 29, pl. II, fig. C.
W.G. Constable, Paintings by Italian Masters in the Possession of William Harrison Woodward, Oxford, 1928, no. 21.
B. Berenson, Italian Pictures of the Renaissance. A List of the Principal Artists and Their Works with an Index of Places, Oxford, 1932, p. 286.
A. Scharf, Filippino Lippi, Vienna, 1935, p. 110, no. 48.
B. Berenson, Pitture italiane del Rinascimento, catalogo dei principi artisti e delle loro opere con un indice dei luoghi, Milan, 1936, p. 245.
K. B. Neilson, Filippino Lippi. A Critical Study, Cambridge, M.A., 1938, pp. 74-75.
L. Berti and U. Baldini, Filippino Lippi, Florence, 1957, p. 50, no. 84.
B. Berenson, Italian Pictures of the Renaissance: Florentine School, London, 1963, I, p. 110, under London.
L. Berti and U. Baldini, Filippino Lippi, rev. ed., Florence, 1991, p. 190.
P. Zambrano and J.K. Nelson, Filippino Lippi, Milan 2004, p. 320, no. 14.
展览
London, Thos. Agnew & Sons, Ltd., Loan Exhibition of Old Master Paintings, 1925, no. 1.

荣誉呈献

Alan Wintermute
Alan Wintermute

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拍品专文

Saint John the Baptist was patron saint of Florence, and representations of him as a child were frequent in Florentine Renaissance art. He is shown here kneeling in a flowered meadow, dressed in a crimson robe and clasping a reed cross. In the background, beyond a small stream, rises a wooded hill surmounted by domed and spired buildings. On the far side of the stream, Saint Jerome prays before a crucifix, his lion by his side. X-ray examination of the panel has revealed that there was originally a recumbent infant Christ at lower right, which was subsequently painted over with the scroll and flowering bushes. The picture must therefore have once been part of a larger composition, most likely an Adoration of the Child. Zambrano and Nelson, authors of the most recent catalogue raisonné of Filippino's work, consider this an early work, datable to the late 1470s, closely comparable in figural typology and treatment of the landscape to the Madonna and Child with Young St. John the Baptist in the National Gallery, London (inv. no. 1412). The present picture was once in the collection of Tancred Borenius (1885-1948), a distinguished professor of art history at University College, London, and recognized in his day as one of the world's leading authorities on early Italian Renaissance painting.