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拍品专文
Franciabigio was a pupil of Albertinelli and Andrea del Sarto. He participated in the decoration of different Florentine private and religious edifices, including frescoes from the Villa Capponi (1510), Cloister of the Annunziata Church (1513), Convent de la Calza (1514), and the Cloister of Scalzo (1516). One of his last works, The Letter to Udry (Gemäldegalerie, Dresden), painted in 1523 for a commission from the Florentine, Giovanni Benintendi, demonstrates his interest in light, color and perspective.
According to Everett Fahy, the present panel was painted by Franciabigio around 1506-1507, during the end of his apprenticeship in the studio of Albertinelli. Its style and composition are inspired by a fresco commissioned from Albertinelli but certainly executed with the participation of Franciabigio (Galluzzo, Certosa di Val d'Ema, signed and dated 1506). The face of Saint John is similar to a drawing showing a portrait of a young man, now at the Biblioteca Reale, Turin. This specific face is typical of Franciabigio and can be found in various works made throughout his career.
According to Everett Fahy, the present panel was painted by Franciabigio around 1506-1507, during the end of his apprenticeship in the studio of Albertinelli. Its style and composition are inspired by a fresco commissioned from Albertinelli but certainly executed with the participation of Franciabigio (Galluzzo, Certosa di Val d'Ema, signed and dated 1506). The face of Saint John is similar to a drawing showing a portrait of a young man, now at the Biblioteca Reale, Turin. This specific face is typical of Franciabigio and can be found in various works made throughout his career.