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拍品专文
Im Winter 1919 kreierte Cuno Amiet eine Reihe von Gemälde mit Darstellungen von Winterlandschaften. Da sich sein Atelier und Wohnort im bernerischen Oschwand befand, diente ihm diese Gegend als Kulisse für eine Vielzahl seiner Werke. Ausserdem werden im Werkskatalog der Gemälde Amiets, herausgegeben von Franz Müller und Viola Radlach im 2014 und im Online Katalog des SIK-ISEA farbliche, stilistische und technische Parallelen zwischen der Winterladschaft ll und einem Gemälde mit Titel Winterlandschaft lll, ebenfalls von 1919 erläutert. Da die Winterladschaft lll die oschwandische Umgebung mit einem benachbarten Bauernhaus Amiets zeigt, kann es sehr gut möglich sein, dass auch dieses Gemälde Winterlandschaft ll einen Ausschnitt der Landschaft von seinem Wohnort ist.
In the winter of 1919, Cuno Amiet created a series of paintings depicting winter landscapes. As both his studio and place of residence was located in Oschwand, this region served as a backdrop for a large number of his works. In the catalogue of Amiet’s paintings, edited and published by Franz Müller and Viola Radlach in 2014, and in the online catalogue of the SIK-ISEA, the parallels in colour, style and technique between Winter Landscape II and a painting bearing the title Winter Landscape III, also from 1919, are outlined. As it is the landscape of Oschwand that is depicted In Winter Landscape III, along with the farmhouse of one of Amiet’s neighbours, it is very likely that in this painting of Winter Landscape II, it is also the countryside where he lived that is depicted.
In the winter of 1919, Cuno Amiet created a series of paintings depicting winter landscapes. As both his studio and place of residence was located in Oschwand, this region served as a backdrop for a large number of his works. In the catalogue of Amiet’s paintings, edited and published by Franz Müller and Viola Radlach in 2014, and in the online catalogue of the SIK-ISEA, the parallels in colour, style and technique between Winter Landscape II and a painting bearing the title Winter Landscape III, also from 1919, are outlined. As it is the landscape of Oschwand that is depicted In Winter Landscape III, along with the farmhouse of one of Amiet’s neighbours, it is very likely that in this painting of Winter Landscape II, it is also the countryside where he lived that is depicted.